LEADER 02158nam 2200493 a 450 001 9910828023303321 005 20240508181126.0 010 $a1-283-33866-1 010 $a9786613338662 010 $a0-335-24038-0 035 $a(CKB)2670000000032048 035 $a(MiAaPQ)EBC557108 035 $a(Au-PeEL)EBL557108 035 $a(CaPaEBR)ebr10404009 035 $a(CaONFJC)MIL333866 035 $a(OCoLC)664232418 035 $a(EXLCZ)992670000000032048 100 $a20100918d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWhat is film theory? $ean introduction to contemporary debates /$fRichard Rushton and Gary Bettinson 205 $a1st ed. 210 $aMaidenhead, England $cOpen University Press$d2010 215 $a211 p. $cill 311 $a0-335-23423-2 320 $aIncludes bibliographical references (p. 194-204) and index. 327 $aFront cover -- Half title page -- Title page -- Copyright page -- Contents -- Introduction: What is film theory? -- 1 Structuralism and semiotics: The foundations of contemporary film theory -- 2 Apparatus theory: Jean-Louis Baudry and Christian Metz -- 3 Screen theory: Colin MacCabe and Stephen Heath -- 4 Feminism and film: Visual pleasure and identificatory practices -- 5 Cinemas of the other: Postcolonialism, race and queer theory -- 6 Philosophers and film: Gilles Deleuze and Stanley Cavell -- 7 Film as art: Historical poetics and neoformalism -- 8 The cognitive turn: Narrative comprehension and character identification -- 9 Recent developments: Phenomenology, attractions and audiences -- Notes -- References -- Index -- Back cover. 606 $aMotion pictures 606 $aCinematography 615 0$aMotion pictures. 615 0$aCinematography. 676 $a808.823 700 $aRushton$b Richard$01677534 701 $aBettinson$b Gary$01608956 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828023303321 996 $aWhat is film theory$94119488 997 $aUNINA