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200 10$aGothic machine $etextualities, pre-cinematic media and film in popular visual culture, 1670-1910 /$fDavid J. Jones
210   $aCardiff $cUniversity of Wales Press$d2011
215   $a1 online resource (254 pages)
225  0$aGothic library studies
300   $aDescription based upon print version of record.
311 0 $a0-7083-2407-X 
320   $aIncludes bibliographical references and index.
327   $aAcknowledgements; List of illustrations; Introduction; Memento Mori, Griendel and the Forerunners, Schro?pferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows; Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership,Visual Spectacle and the Staging of Gothic 1790-1830; Etienne-Gaspard Robertson's Gothic Fantasmagorie and E. T. A. Hoffmann
327   $aGothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey.The Daguerreotype and Diablerie in French Visual Media'In or around the Winter, 1895': From the Prelude toCinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the fe?eries of Georges Me?lie?s and Alice Guy Blache?'s Esmeralda; 'Another Kind of Showman': Robert Louis Stevenson,Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910; Conclusion: French Extremity; Notes; Bibliography; Index
330   $aAlmost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today.
410  0$aGothic literary studies.
606   $aGothic fiction (Literary genre)$xHistory and criticism
615  0$aGothic fiction (Literary genre)$xHistory and criticism.
676   $a700.903
700   $aJones$b David J$0394166
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