LEADER 03477nam 2200709 a 450 001 9910828012503321 005 20200520144314.0 010 $a1-107-13380-7 010 $a0-521-09912-9 010 $a0-511-14790-2 010 $a0-511-12060-5 010 $a0-511-30505-2 010 $a1-280-16079-9 010 $a0-511-04562-X 010 $a0-511-48530-1 035 $a(CKB)111082128285932 035 $a(EBL)202199 035 $a(OCoLC)52613793 035 $a(SSID)ssj0000204621 035 $a(PQKBManifestationID)11168584 035 $a(PQKBTitleCode)TC0000204621 035 $a(PQKBWorkID)10188821 035 $a(PQKB)10155507 035 $a(UkCbUP)CR9780511485305 035 $a(MiAaPQ)EBC202199 035 $a(Au-PeEL)EBL202199 035 $a(CaPaEBR)ebr10021402 035 $a(CaONFJC)MIL16079 035 $a(EXLCZ)99111082128285932 100 $a20020427d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModernism, narrative, and humanism /$fPaul Sheehan 205 $a1st ed. 210 $aCambridge, UK ;$aNew York $cCambridge University Press$d2002 215 $a1 online resource (xiii, 234 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-81457-X 311 $a0-511-02058-9 320 $aIncludes bibliographical references (p. 217-230) and index. 327 $tIntroduction: The anthropometric turn --$tNarrating the animal, amputating the soul --$tConrad and technology: homo ex machina --$tThe Lawrentian transcendent: after the fall --$tWoolf's luminance: time out of mind --$tDoubting Beckett: voices descant, stories still --$tConclusion: Humanness unbound. 330 $aIn Modernism, Narrative and Humanism, Paul Sheehan attempts to redefine modernist narrative for the twenty-first century. For Sheehan modernism presents a major form of critique of the fundamental presumptions of humanism. By pairing key modernist writers with philosophical critics of the humanist tradition, he shows how modernists sought to discover humanism's inhuman potential. He examines the development of narrative during the modernist period and sets it against, among others, the nineteenth-century philosophical writings of Schopenhauer , Darwin and Nietzsche. Focusing on the major novels and poetics of Conrad, Lawrence, Woolf and Beckett, Sheehan investigates these writers' mistrust of humanist orthodoxy and their consequent transformations and disfigurations of narrative order. He reveals the crucial link between the modernist novel's narrative concerns and its philosophical orientation in a book that will be of compelling interest to scholars of modernism and literary theory. 606 $aEnglish fiction$y20th century$xHistory and criticism 606 $aModernism (Literature)$zGreat Britain 606 $aHumanism in literature 606 $aNarration (Rhetoric) 615 0$aEnglish fiction$xHistory and criticism. 615 0$aModernism (Literature) 615 0$aHumanism in literature. 615 0$aNarration (Rhetoric) 676 $a823/.9109112 700 $aSheehan$b Paul$f1960-$01617041 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828012503321 996 $aModernism, narrative, and humanism$94069200 997 $aUNINA