LEADER 03614nam 2200481 450 001 9910828006803321 005 20220330094703.0 010 $a0-8135-9625-4 024 7 $a10.36019/9780813596259 035 $a(CKB)4100000011982626 035 $a(MiAaPQ)EBC6680212 035 $a(Au-PeEL)EBL6680212 035 $a(OCoLC)1261303529 035 $a(DE-B1597)600704 035 $a(DE-B1597)9780813596259 035 $a(EXLCZ)994100000011982626 100 $a20220330d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBroadcasting Hollywood $ethe struggle over feature films on early TV /$fJennifer Porst 210 1$aNew Brunswick :$cRutgers University Press,$d[2021] 210 4$dİ2021 215 $a1 online resource (251 pages) 311 $a0-8135-9622-X 327 $aCover -- Title Page -- Copyright -- Dedication -- Contents -- List of Abbreviations -- Introduction: Media Disruption and Convergence -- 1. Systems of Authority and Evaluation -- 2. Exhibition, Audiences, and Media Consumption -- 3. Contracts, Rights, Residuals, and Labor -- 4. Roy Rogers, Gene Autry, and the Intervention of the Courts -- 5. Antitrust, Market Dominance, and Emerging Media -- 6. Feature Films Make Their Way to Television -- Conclusion: Disrupting a Big Market Can Be Bumpy -- Acknowledgments -- Abbreviations Used in Notes -- Notes -- Bibliography -- Index -- About the Author. 330 $aBroadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood?s feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena. 606 $aTelevision broadcasting of films$zUnited States$xHistory$y20th century 606 $aCopyright$xBroadcasting rights$zUnited States 610 $ascreenwriter, screenwriting, writing, writer, television, tv writer, television writer, script, film, filmmaker, film writer, movie writer, screenplay, hollywood, mel brooks, carl reiner, norman lear, screenwriters' guild, screenwriters guild, broadcasting, media, communications, American studies, American film, film studio, film networks, advertising, advertising agencies, guilds, theatre, theatre associations, FCC, TV ratings, television industry, 1940s, 1950s, digital media, contemporary, postwar industrialism, intermedia, convergence, transmedia, media industry studies, early TV. 615 0$aTelevision broadcasting of films$xHistory 615 0$aCopyright$xBroadcasting rights 676 $a791.45750973 700 $aPorst$b Jennifer$01656095 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828006803321 996 $aBroadcasting Hollywood$94008761 997 $aUNINA