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100   $a20001004d2002      uy         0
101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aDancing the self $epersonhood and performance in the Pandav lila of Garhwal /$fWilliam S. Sax
205   $a1st ed.
210   $aOxford ;$aNew York $cOxford University Press$d2002
215   $a1 online resource (237 p.)
300   $aDescription based upon print version of record.
311   $a0-19-513915-1 
311   $a0-19-987165-5 
320   $aIncludes bibliographical references (p. 201-220) and index.
327   $aContents; Introduction: The Performative Construction of the Self; Prologue: The Mahabhrata Story; 1. The Sutol Pandav L; 2. The Dance of the Cowherd: Pandav L; as a Regional Tradition; 3. Hunting the Rhinoceros: Pandav L; as a Man's Sport; 4. A Theater of Hegemony: Pandav L: as a Rajput Tradition; 5. Violent Women: Draupadi and Kunti in the Pandav L; 6. A Divine King in the Western Himalayas; 7. The Hall of Mirrors: Orientalism, Anthropology, and the ""Other""; Bibliography; Index;
330 8 $aOver a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. He saw and took part in many performances of the pandav lila, a ritual reenactment of scenes from the Mahabharata in dance.
606   $aPandava lila
606   $aSelf-presentation in literature
606   $aFolk drama$zIndia$zGarhwal$xHistory and criticism
615  0$aPandava lila.
615  0$aSelf-presentation in literature.
615  0$aFolk drama$xHistory and criticism.
676   $a398.2/0954/2
700   $aSax$b William Sturman$f1957-$01667395
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910827963303321
996   $aDancing the self$94038099
997   $aUNINA