LEADER 03007nam  2200709Ia 450 
001 9910827948403321
005 20240514055854.0
010   $a0-8047-8178-8
024 7 $a10.1515/9780804781787
035   $a(CKB)2550000000062996
035   $a(EBL)802023
035   $a(OCoLC)767502416
035   $a(SSID)ssj0000741704
035   $a(PQKBManifestationID)11420342
035   $a(PQKBTitleCode)TC0000741704
035   $a(PQKBWorkID)10744160
035   $a(PQKB)10448634
035   $a(SSID)ssj0000640130
035   $a(PQKBManifestationID)12245782
035   $a(PQKBTitleCode)TC0000640130
035   $a(PQKBWorkID)10612631
035   $a(PQKB)10778625
035   $a(MiAaPQ)EBC802023
035   $a(DE-B1597)563902
035   $a(DE-B1597)9780804781787
035   $a(Au-PeEL)EBL802023
035   $a(CaPaEBR)ebr10509346
035   $a(OCoLC)1198929585
035   $a(EXLCZ)992550000000062996
100   $a20110721d2012      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aProjections $ecomics and the history of twenty-first-century storytelling /$fJared Gardner
205   $a1st ed.
210   $aStanford, CA $cStanford University Press$d2012
215   $a1 online resource (241 p.)
225 1 $aPost 45
300   $aDescription based upon print version of record.
311   $a0-8047-7146-4 
311   $a0-8047-7147-2 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; 1. Fragments of Modernity, 1889-1920; 2. Serial Pleasures, 1907-1938; 3. Fan-Addicts and the Comic Book, 1938-1955; 4. First-Person Graphic, 1959-2010; 5. Archives and Collectors, 1990-2010; 6. Coda: Comics, Film, and the Future of Twenty-First-Century Storytelling; Notes; Index
330   $aWhen Art Spiegelman's Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a f
410  0$aPost 45.
606   $aComic books, strips, etc$zUnited States$xHistory and criticism
606   $aMotion pictures and comic books$zUnited States
606   $aNarration (Rhetoric)
615  0$aComic books, strips, etc.$xHistory and criticism.
615  0$aMotion pictures and comic books
615  0$aNarration (Rhetoric)
676   $a741.5/973
700   $aGardner$b Jared$0610248
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910827948403321
996   $aProjections$94124689
997   $aUNINA