LEADER 05964nam 2200829 a 450 001 9910827860003321 005 20240410024241.0 010 $a1-283-87917-4 010 $a1-61117-176-8 035 $a(CKB)2550000000709969 035 $a(SSID)ssj0000811303 035 $a(PQKBManifestationID)11510756 035 $a(PQKBTitleCode)TC0000811303 035 $a(PQKBWorkID)10847917 035 $a(PQKB)10172322 035 $a(SSID)ssj0001085219 035 $a(PQKBManifestationID)12480349 035 $a(PQKBTitleCode)TC0001085219 035 $a(PQKBWorkID)11049639 035 $a(PQKB)10244814 035 $a(OCoLC)835136845 035 $a(MdBmJHUP)muse29335 035 $a(Au-PeEL)EBL2054821 035 $a(CaPaEBR)ebr10638909 035 $a(CaONFJC)MIL419167 035 $a(OCoLC)870420406 035 $a(MiAaPQ)EBC2054821 035 $a(EXLCZ)992550000000709969 100 $a20150303d2003 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLily Briscoe's Chinese eyes $eBloomsbury, modernism, and China /$fPatricia Laurence 205 $a1st ed. 210 $aColumbia $cUniversity of South Carolina Press$dc2003 215 $a1 online resource (xxii, 488 p. ) $cill., maps 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-57003-505-9 311 $a1-61117-148-2 320 $aIncludes bibliographical references (p. [419]-443) and index. 327 $aCover -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- Abbreviations -- Historical Time Line -- Introduction -- Images on a Scroll -- Maps of Seeing -- The Historical Moment -- The Formation of Literary Communities and Conversations in China and England -- The Uses of Letters -- Empiricizing the Theoretical -- Evolving Modernisms -- CHAPTER ONE: Julian Bell Performing "Englishness" -- The Sentimental and the Modern: Pei Ju-Lian (Bell, Julian) Teaching in China -- The Provincial Turns Political -- From Fairy Stories to Letter Quarrels: Julian Bell and Ling Shuhua -- Translating Together: Julian Bell and Ling Shuhua -- CHAPTER TWO: Literary Communities in England and China: Politics and Art -- Imagining Other Communities: The Crescent Moon Group -- Politics and Art -- A Parallel Community: Bloomsbury -- CHAPTER THREE: East-West Literary Conversations: Exploring Civilization and Subjectivity-G. L. Dickinson and Xu Zhimo -- Terms That Fold and Unfold Meaning: Civilization and Subjectivity -- Xu Zhimo: "The Great Link with Bloomsbury" -- An English Don in a Chinese Cap: G. L. Dickinson -- The Cultivation of the Romantic Self: Xu Zhimo -- Feeling as a Transgressive Act: The Narration of "Self" in Developing Chinese Modernism -- Redefinitions of British "Civilization": G. L. Dickinson -- The Unwritten Passage to China: E. M. Forster and Xiao Qian -- "The Unpopular Normal": E. M. Forster's Expanding Notions of Transnational Sexuality, Culture, and the British Novel -- Swallowing and Being Swallowed: Poverty in China and the British Novel -- British Modernism through Chinese Eyes: Katherine Mansfield, D. H. Lawrence, James Joyce, T. S. Eliot, and Virginia Woolf -- Interrupted Modernism -- CHAPTER FOUR: Chinese Landscapes through British Eyes -- The Naturalist Landscape: Julian Bell -- The Painter's Eye: Vanessa Bell and Ling Shuhua. 327 $aConstructing the "Narrow Bridge of Art": Virginia Woolf and Ling Shuhua -- China on a Willow Pattern Plate: Charles Lamb, George Meredith, and Arthur Waley -- Expanding "Englishness": Le Jardin Anglo-Chinois and the Kew Gardens Pagoda -- CHAPTER FIVE: Developing Modernisms -- Incorporating "Chinese" Eyes -- Chinoiserie and the International Chinese Exhibition -- "The Liquidation of Reference" -- The Aesthetic Gaze -- The Epistemology of Boundaries: Subject and Object -- The Crisis in Representation: Aesthetic Reciprocity -- Leaving Things Out: The Line -- Flatness and Plasticity -- The Literary Effect of Visual Aesthetics -- Postscript -- APPENDIX A: Index of Chinese and British Figures -- APPENDIX B: Selection from Ling Shuhua's Story "Writing a Letter" with Julian Bell's Annotations -- APPENDIX C: Table of Contents, Selections of Modernist Literature from Abroad, eds. Yuan Kejia, Dong Xengxun, Zheng Kelu, 1981 -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z. 330 $aIn so doing she addresses the geographical and critical imbalances--and thus the architecture of modernist, postcolonial, Bloomsbury, and Asian studies--by placing China in an aesthetic matrix of a developing international modernism. 606 $aEnglish literature$y20th century$xHistory and criticism 606 $aBloomsbury group 606 $aChinese literature$y20th century$xHistory and criticism 606 $aComparative literature$xEnglish and Chinese 606 $aComparative literature$xChinese and English 606 $aChinese literature$xEnglish influences 606 $aEnglish literature$xChinese influences 606 $aModernism (Literature)$zGreat Britain 606 $aModernism (Literature)$zChina 615 0$aEnglish literature$xHistory and criticism. 615 0$aBloomsbury group. 615 0$aChinese literature$xHistory and criticism. 615 0$aComparative literature$xEnglish and Chinese. 615 0$aComparative literature$xChinese and English. 615 0$aChinese literature$xEnglish influences. 615 0$aEnglish literature$xChinese influences. 615 0$aModernism (Literature) 615 0$aModernism (Literature) 676 $a820.9/00912 700 $aLaurence$b Patricia$0854057 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827860003321 996 $aLily Briscoe's Chinese eyes$94105174 997 $aUNINA