LEADER 05078nam 2200685 a 450 001 9910827841503321 005 20200520144314.0 010 $a0-262-26633-4 010 $a1-282-54179-X 010 $a9786612541797 010 $a0-262-25883-8 035 $a(CKB)2520000000006499 035 $a(SSID)ssj0000343086 035 $a(PQKBManifestationID)11286405 035 $a(PQKBTitleCode)TC0000343086 035 $a(PQKBWorkID)10290252 035 $a(PQKB)10179494 035 $a(MiAaPQ)EBC3339100 035 $a(OCoLC)558732720 035 $a(MdBmJHUP)muse24540 035 $a(OCoLC)558732720$z(OCoLC)527355375$z(OCoLC)613310459$z(OCoLC)613709650$z(OCoLC)647835868$z(OCoLC)714458969$z(OCoLC)744553549$z(OCoLC)764530335$z(OCoLC)860599062$z(OCoLC)920467196$z(OCoLC)961504569$z(OCoLC)962582300$z(OCoLC)1058049855$z(OCoLC)1058087436 035 $a(OCoLC-P)558732720 035 $a(MaCbMITP)7999 035 $a(Au-PeEL)EBL3339100 035 $a(CaPaEBR)ebr10356696 035 $a(CaONFJC)MIL254179 035 $a(EXLCZ)992520000000006499 100 $a20090320d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSonic warfare $esound, affect, and the ecology of fear /$fSteve Goodman 205 $a1st ed. 210 $aCambridge, Mass. $cMIT Press$dc2010 215 $axx, 270 p 225 1 $aTechnologies of lived abstraction 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-51795-7 311 $a0-262-01347-9 320 $aIncludes bibliographical references and index. 327 $aIntro -- Contents -- Series Foreword -- Acknowledgments -- Introduction -- 1: 1998: A Conceptual Event -- 2: 2001: What Is Sonic Warfare? -- 3: 2400-1400 B.C.: Project Jericho -- 4: 1946: Sonic Dominance -- 5: 1933: Abusing the Military- Entertainment Complex -- 6: 403-221 B.C.: The Logistics of Deception -- 7: 1944: The Ghost Army -- 8: 1842: Sonic Effects -- 9: 1977: A Sense of the Future -- 10: 1913: The Art of War in the Art of Noise -- 11: 1989: Apocalypse Then -- 12: 1738: Bad Vibrations -- 13: 1884: Dark Precursor -- 14: 1999: Vibrational Anarchitecture -- 15: 13.7 Billion B.C.: The Ontology of Vibrational Force -- 16: 1931: Rhythmanalysis -- 17: 1900: The Vibrational Nexus -- 18: 1929: Throbs of Experience -- 19: 1677: Ecology of Speeds -- 20: 99-50 B.C.: Rhythm out of Noise -- 21: 1992: The Throbbing Crowd -- 22: 1993: Vorticist Rhythmachines -- 23: 1946: Virtual Vibrations -- 24: 2012: Artificial Acoustic Agencies -- 25: 1877: Capitalism and Schizophonia -- 26: 1976: Outbreak -- 27: 1971: The Earworm -- 28: 2025: Déjà Entendu -- 29: 1985: Dub Virology -- 30: 1928: Contagious Orality -- 31: 2020: Planet of Drums -- 32: 2003: Contagious Transmission -- 33: 2039: Holosonic Control -- 34: Conclusion: Unsound-The (Sub)Politicsof Frequency -- Glossary -- Notes -- References -- Index. 330 1 $a"Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations." "Most theoretical discussions of sound and music cultures in relationship to power, Goodman argues, have a missing dimension: the politics of frequency. Goodman supplies this by drawing a speculative diagram of sonic forces, investigating the deployment of sound systems in the modulation of affect. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture." "Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths."--Jacket. 410 0$aTechnologies of lived abstraction. 606 $aMusic$xAcoustics and physics 606 $aMusic$xSocial aspects 606 $aMusic$xPhilosophy and aesthetics 615 0$aMusic$xAcoustics and physics. 615 0$aMusic$xSocial aspects. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a781/.1 700 $aGoodman$b Steve$0704061 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827841503321 996 $aSonic warfare$91356873 997 $aUNINA