LEADER 04285oam 2200829I 450 001 9910827802103321 005 20240402015647.0 010 $a0-415-86704-5 010 $a1-136-71924-5 010 $a1-315-02404-7 010 $a1-136-71917-2 024 7 $a10.4324/9781315024042 035 $a(CKB)2550000001171317 035 $a(EBL)1581706 035 $a(OCoLC)866445489 035 $a(SSID)ssj0001082030 035 $a(PQKBManifestationID)11591790 035 $a(PQKBTitleCode)TC0001082030 035 $a(PQKBWorkID)11090961 035 $a(PQKB)11732049 035 $a(MiAaPQ)EBC1581706 035 $a(Au-PeEL)EBL1581706 035 $a(CaPaEBR)ebr10823814 035 $a(CaONFJC)MIL552717 035 $a(OCoLC)865578978 035 $a(OCoLC)1014086767 035 $a(FINmELB)ELB134370 035 $a(EXLCZ)992550000001171317 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe merchant of modernism $ethe economic Jew in Anglo-American literature, 1864-1939 /$fGary Martin Levine 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (383 p.) 225 1 $aLiterary criticism and cultural theory 225 0$aLiterary criticism and cultural theory 300 $aOriginally presented as the author's thesis (Ph. D.)--University of Iowa, 1999. 311 $a0-415-94109-1 311 $a1-306-21466-1 320 $aIncludes bibliographical references (pages 193-203) and index. 327 $aCover; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction; Chapter One: Our Mutual Creditor: Speculation, Representation, and the Jew in Charles Dickens' Our Mutual Friend and Anthony Trollope's The Way We Live Now; Chapter Two: "Made Viciously Cosmopolitan": From Realism to Romance in George Eliot's Daniel Deronda; Chapter Three: Transactions without Risk: Race, Art, and Commerce in Edith Wharton's The House of Mirth and The Custom of the Country 327 $aChapter Four: Populist Naturalism: The "Natural" Markets and "Unnatural" Jews of Frank Norris, Theodore Dreiser, and Mark TwainChapter Five: The Merchant of Modernism: The Author as Jew in Henry James's The Golden Bowl and The American Scene; Chapter Six: "In Two Worlds at Once": Talmud, Cultural Capital, and Identity in Abraham Cahan's The Rise of David Levinsky; Chapter Seven: "A Single Window": First Person Narrators and Consuming Jews in F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's The Sun Also Rises, and Willa Cather's The Professor's House 327 $aChapter Eight: Modernism Squats on My Windowsill: Rats, Jews, and Markets in T.S. Eliot's Ara Vos Prec, D.H. Lawrence's Women in Love, and Wyndham Lewis's The Apes of GodChapter Nine: Modernism Squats on My Windowsill, Part II: Markets of Meaning in Ezra Pound's Cantos, Gertrude Stein's Tender Buttons, and Virginia Woolf's Mrs. Dalloway; Chapter Ten: "Both Sides of the Question": Polyphony, Mixed Economies, and the Jewish Question in James Joyce's Ulysses; Notes; Bibliography; Index 330 $aFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. 410 0$aLiterary Criticism and Cultural Theory 606 $aAmerican fiction$xHistory and criticism 606 $aEconomics in literature 606 $aEnglish fiction$y19th century$xHistory and criticism 606 $aEnglish fiction$y20th century$xHistory and criticism 606 $aJews in literature 606 $aMerchants in literature 606 $aModernism (Literature)$zEnglish-speaking countries 615 0$aAmerican fiction$xHistory and criticism. 615 0$aEconomics in literature. 615 0$aEnglish fiction$xHistory and criticism. 615 0$aEnglish fiction$xHistory and criticism. 615 0$aJews in literature. 615 0$aMerchants in literature. 615 0$aModernism (Literature) 676 $a823/.80903924 700 $aLevine$b Gary Martin$f1966-$01645311 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827802103321 996 $aThe merchant of modernism$93991686 997 $aUNINA