LEADER 03082nam 2200529 a 450 001 9910827782903321 005 20240314025531.0 010 $a1-4438-5095-0 035 $a(CKB)2670000000402636 035 $a(StDuBDS)AH25564374 035 $a(SSID)ssj0001168458 035 $a(PQKBManifestationID)11794156 035 $a(PQKBTitleCode)TC0001168458 035 $a(PQKBWorkID)11144721 035 $a(PQKB)10488970 035 $a(MiAaPQ)EBC1336805 035 $a(Au-PeEL)EBL1336805 035 $a(CaPaEBR)ebr10742343 035 $a(OCoLC)855505159 035 $a(FINmELB)ELB146974 035 $a(EXLCZ)992670000000402636 100 $a20130815d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSongs of innocence and experience $eromance in the cinema of Frank Capra /$fby Magdalena Grabias 205 $a1. 210 $aNewcastle upon Tyne, England $cCambridge Scholars Publishing$dc2013 215 $a1 online resource (230 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4438-4781-X 320 $aIncludes bibliographical references and filmography. 327 $aIntro -- TABLE OF CONTENTS -- LIST OF TABLES -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER ONE -- CHAPTER TWO -- CHAPTER THREE -- CHAPTER FOUR -- CHAPTER FIVE -- CONCLUSION -- BIBLIOGRAPHY -- SELECTED FILMOGRAPHY. 330 $bSongs of Innocence and Experience: Romance in the Cinema of Frank Capra is a study of the directoras chosen movies from the perspective of three types of comedies: paradisal, purgatorial and infernal, as assigned by Dante in his Divine Comedy. Magdalena Grabias-?urek views Capraas films in two broader categories of innocenceA and experience,A where innocenceA represents Dantean paradisal level, and experienceA combines the levels of purgatory and inferno. Such a division constitutes the means to interpret Capra's filmic universe and to describe the ever-evolving directorial vision of Frank Capra. - - The main purpose of the book is to demonstrate how, in the light of the theory of literary romance as presented by Northrop Frye in his seminal works concerning the subject, the films of Frank Capra fit into the genre of romance. Romantic elements in Frank Capraas movies can be found in both innocenceA and experienceA categories and, hence, consequently in his paradisal, purgatorial and infernal comedies. However, in both categories, and all three comedy types, the romantic reality of each examined film is structured and developed in a different manner. - - The book offers an insight into Frank Capraas films and a complex process of creating his multidimensional romantic universe within them. - - - 606 $aRomance films 615 0$aRomance films. 676 $a791.4302330924 700 $aGrabias$b Magdalena$01667086 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827782903321 996 $aSongs of innocence and experience$94026723 997 $aUNINA