LEADER 01398nam0-2200397---450- 001 990001068080203316 005 20100906103148.0 010 $a88-243-1367-1 020 $aIT$b2001-4704 035 $a000106808 035 $aUSA01000106808 035 $a(ALEPH)000106808USA01 035 $a000106808 100 $a20020412d2000----y0itay0103 ba 101 $aita 102 $aIT 105 $ay|||z|||001yy 200 1 $a<> sacro come la contraddizione rubata$eprolegomeni a un pensiero metapolitico dei diritti fondamentali$fGiuseppe Limone 210 $aNapoli$cE. Jovene$d2000 215 $a270 p.$d24 cm 225 2 $aPubblicazioni della facoltà di giurisprudenza della seconda Università di Napoli 410 0$12001$aPubblicazioni della facoltà di giurisprudenza della Seconda Università di Napoli$v10 606 $aDiritti dell'uomo 676 $a340.112 700 1$aLIMONE,$bGiuseppe$0232265 801 0$aIT$bBNI$c20010906$gRICA 912 $a990001068080203316 951 $aXXX.A. Coll. 204/ 11(X 13 XXXVI 10)$b32747 G.$cXXX.A. Coll. 204/ 11 (X 13)$d00081015 959 $aBK 969 $agiu 979 $aCHIARA$b90$c20020412$lUSA01$h1026 979 $aCHIARA$b90$c20020412$lUSA01$h1027 979 $aPATRY$b90$c20040406$lUSA01$h1714 979 $aRSIAV2$b90$c20100906$lUSA01$h1031 996 $aSacro come la contraddizione rubata$9672415 997 $aUNISA LEADER 03497nam 2200649 450 001 9910827774003321 005 20240131141430.0 010 $a1-4438-6471-4 035 $a(CKB)3710000000205265 035 $a(EBL)1753472 035 $a(SSID)ssj0001288156 035 $a(PQKBManifestationID)12583093 035 $a(PQKBTitleCode)TC0001288156 035 $a(PQKBWorkID)11291127 035 $a(PQKB)10699794 035 $a(Au-PeEL)EBL1753472 035 $a(CaPaEBR)ebr10905928 035 $a(CaONFJC)MIL636389 035 $a(OCoLC)885123142 035 $a(OCoLC)884726027 035 $a(FINmELB)ELB149176 035 $a(MiAaPQ)EBC1753472 035 $a(EXLCZ)993710000000205265 100 $a20130321d2013 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAnalyzing the music of living composers (and others) /$fedited by Jack Boss [and three others] 210 1$aNewcastle upon Tyne, United Kingdom :$cCambridge Scholars,$d2013. 215 $a1 online resource (290 p.) 300 $aEdited by: Jack Boss, Brad Osborn, Tim S. Pack and Stephen Rodgers. 311 $a1-322-05138-0 311 $a1-4438-4227-3 320 $aIncludes bibliographical references. 327 $aTABLE OF CONTENTS; PREFACE; PART I: PROCESS IN THE MUSIC OF LIVING COMPOSERS; INTRODUCTION TO PART I; CHAPTER ONE - MAKING THE MOST OF MINIMALISM; CHAPTER TWO - COHERENCE AND COMPREHENSIBILITY IN JOAN TOWER'S PURPLE RHAPSODY; CHAPTER THREE - GAMES, SIMPLICITY, AND TREES; CHAPTER FOUR - AN INTRODUCTION TO THE MUSIC OF WILLEM CEULEERS; PART II: THE TONAL TRADITION; INTRODUCTION TO PART II; CHAPTER FIVE - HARMONY AND THE MYTH OF NARCISSUS IN SCHUBERT'S ""DU LIEBST MICH NICHT""; CHAPTER SIX - MAHLER'S MUSICAL IDEA; CHAPTER SEVEN - DEBUSSY'S UNTERBRECHUNG; PART III: POP MUSIC AND BEYOND 327 $aINTRODUCTION TO PART III CHAPTER EIGHT - WHEN POP STARS COLLIDE; CHAPTER NINE - GROOVE TOPICS IN IMPROVISED JAZZ; CHAPTER TEN - THE MUSIC OF MARIO, LINK, AND SAMUS; CHAPTER ELEVEN - HEARING HEIMA; PART IV: MUSICAL GEOMETRY AND TEMPORAL STRUCTURING; INTRODUCTION TO PART IV; CHAPTER TWELVE - SERIAL N-CUBES; CHAPTER THIRTEEN - TEMPORAL STRUCTURING IN COLIN MATTHEWS'S ELEVEN STUDIES [INVENTIONS] IN VELOCITY; CONTRIBUTORS 330 $aAnalyzing the Music of Living Composers (and Others) is a collection of essays that grew out of the 2010 annual meeting of the West Coast Conference of Music Theory and Analysis. The stated purpose was to apply traditional music-analytic techniques, as well as new, innovative techniques, to describing the music of composers of the late 20th and early 21st centuries. The goal was to take steps toward making the music of our time a bit less impenetrable for our colleagues, students and other li... 606 $aMusical analysis$xHistory$y20th century 606 $aMusical analysis$xHistory$y21st century 606 $aMusic$xHistory and criticism 615 0$aMusical analysis$xHistory 615 0$aMusical analysis$xHistory 615 0$aMusic$xHistory and criticism. 676 $a780.9 702 $aBoss$b Jack Forrest 702 $aOsborn$b Brad 702 $aPack$b Timothy Shane$f1969- 702 $aRodgers$b Stephen$f1974- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827774003321 996 $aAnalyzing the music of living composers (and others)$94049216 997 $aUNINA