LEADER 03917nam 22005175 450 001 9910827732203321 005 20191126113341.0 010 $a1-5017-2700-1 024 7 $a10.7591/9781501727009 035 $a(CKB)4100000006673829 035 $a(MiAaPQ)EBC5774231 035 $a(OCoLC)1036858272 035 $a(MdBmJHUP)muse71286 035 $a(DE-B1597)515168 035 $a(OCoLC)1129150823 035 $a(DE-B1597)9781501727009 035 $a(EXLCZ)994100000006673829 100 $a20191126d2018 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Same Solitude $eBoris Pasternak and Marina Tsvetaeva /$fCatherine Ciepiela 210 1$aIthaca, NY : $cCornell University Press, $d[2018] 210 4$d©2006 215 $a1 online resource (303 pages) $cillustrations 311 $a0-8014-3534-X 320 $aIncludes bibliographical references (p. [253]-291) and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tNote on Editorial Method -- $tIntroduction -- $tI. The Girl Muse -- $t2. The Boy Poet -- $t3. The Romance of Distance (I922-I925) -- $t4. Lyricism and History (1926) -- $t5. The End of the End (I926-I935) -- $tConclusion -- $tAppendix -- $tNotes -- $tIndex 330 $a"Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."-Boris Pasternak to Marina TsvetaevaOne of the most compelling episodes of twentieth-century Russian literature involves the epistolary romance that blossomed between the modernist poets Marina Tsvetaeva and Boris Pasternak in the 1920s. Only weeks after Tsvetaeva emigrated from Russia in 1922, Pasternak discovered her poetry and sent her a letter of praise and admiration. Tsvetaeva's enthusiastic response began a decade-long affair, conducted entirely through letters. This correspondence-written across the widening divide separating Soviet Russia from Russian émigrés in continental Europe-offers a view into the overlapping worlds of literary creativity, sexual identity, and political affiliation. Following both sides of their conversation, Catherine Ciepiela charts the poets' changing relations to each other, to the extraordinary political events of the period, and to literature itself. The Same Solitude presents the first full account of this affair of letters and poems from its beginning in the summer of 1922 to its denouement in the 1930s.Drawing on many previously untranslated letters and poems, Ciepiela describes the poets' mutual influence, both in the course of their lives and the development of their art. Neither poet saw any separation between a poet's life and work, and Ciepiela treats each poet's letters and poems as a single text. She discusses the poets' famous triangular correspondence with Rainer Maria Rilke in 1926, and she addresses the profound significance of Tsvetaeva for Pasternak, who is often perceived (mistakenly, Ciepiela asserts) as the more detached partner. Further, this book expands our understanding of poetic modernism by showing how the poets worked through ideas about gender and writing in the context of what they themselves called a literary "marriage." 606 $aBiography & Autobiography 606 $aSoviet & East European History 606 $aBIOGRAPHY & AUTOBIOGRAPHY / Literary$2bisacsh 608 $aElectronic books. 615 4$aBiography & Autobiography. 615 4$aSoviet & East European History. 615 7$aBIOGRAPHY & AUTOBIOGRAPHY / Literary. 676 $a891.71/4209 700 $aCiepiela$b Catherine, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01672178 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910827732203321 996 $aThe Same Solitude$94035303 997 $aUNINA