LEADER 03830nam 2200661 450 001 9910827660903321 005 20240131141507.0 010 $a1-4438-6472-2 035 $a(CKB)3710000000205266 035 $a(EBL)1753473 035 $a(SSID)ssj0001399888 035 $a(PQKBManifestationID)11805794 035 $a(PQKBTitleCode)TC0001399888 035 $a(PQKBWorkID)11458243 035 $a(PQKB)10542861 035 $a(Au-PeEL)EBL1753473 035 $a(CaPaEBR)ebr10905915 035 $a(CaONFJC)MIL636388 035 $a(OCoLC)885123160 035 $a(OCoLC)884726120 035 $a(FINmELB)ELB149159 035 $a(MiAaPQ)EBC1753473 035 $a(EXLCZ)993710000000205266 100 $a20140818d2013 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAt whom are we laughing? $ehumor in romance language literatures /$fedited by Zenia Sacks DaSilva and Gregory M. Pell 210 1$aCambridge :$cCambridge Scholars Publishing,$d2013. 215 $a1 online resource (411 p.) 300 $aDescription based upon print version of record. 311 $a1-322-05137-2 311 $a1-4438-4797-6 320 $aIncludes bibliographical references. 327 $aTABLE OF CONTENTS; FOREWORD; INTRODUCTION; PART I; FROM THE ROMANCE LANDS; FRENCH COMIC HEROES; THE SUBVERSION OF EMPIRE AS FARCEIN FERNA?O MENDES PINTO'S PEREGRINAC?A?O; THE TRANSGRESSIVE ETHICSOF THE TRICKSTER IN LATE MEDIEVALAND POST-REFORMATION FRENCH FARCE; PART II; ACASE OF MEDICAL SATIREAS THERAPY IN COLONIAL PERU; PICARESQUE HUMOR IN DON QUIXOTE; ESTEBANILLO GONZA?LEZ AND THE COMICARTOF THE BUFFOON; MACABRE HUMOR AND MODERN PARADOXIN GRACIA?N'S COURT OF DEATH; PART III; LAUGHING AT LEARNEDWOMENIN THE MEDIEVAL FRENCH FARCE; SEX, VIOLENCE, AND THE HOLY; CASTING ABOUT; STAGING RIDICULE 327 $aPART IV.CASTIGLIONE AND CICERO; 'RIDENTEM DICERE VERUM'; INSIDE JOKES AND TRIVIALIZED SPACE; PARODIES VIA THE NEW TESTAMENTIN LAZARILLO DE TORMES; INVECTIVE AND HUMOR IN THE POETRYOF DANTE AND CECCO ANGIOLIERI; V; HUMOR AND IDENTITY IN PANCHO GUERRA'SLOS CUENTOS FAMOSOS DE PEPEMONAGASAND IN CHO JUAA?'S ILLUSTRATIONS; PARODIES OF DON JUAN IN THE TALESOF CLARI?N AND GALDO?S; POSTMODERNISM AND HUMORIN SINDO SAAVEDRA'S CUENTO, LUEGO EXISTO; «WITH A JEER I REPLIED»; VI; THE SANITY OF THE INSANE; MILAN KUNDERA AND SEVERO SARDUY; NARRATORIAL IRONY AND TEXTUAL PARODY 327 $aTHE LUDIC UTOPIAS OF GERARDO DIEGO'SULTRAIST POETRYVII; AFTER THE CURTAIN; GALICIAN "RETRANCA" GONE GREEN; WHAT'S SO FUNNY ABOUT WARTIME EXILE?; VIII; THREE SHADES OF LAUGHTER; COMMONPLACES OF LANGUAGE; THE GROTESQUE AND VERISIMILITUDEIN DARIO FO'S THEATRE; CONTRIBUTORS 330 $aThey say that laughter is a purely human phenomenon, so exclusively ours that we brook no intruders except, of course, for the laughing hyena, the laughing jackass (officially known as the kookaburra bird of Australia), laughing matters, laughing gas, or the perennial laughing stock. But what is humor, that funny thing so varied in its colors and tones, so encompassing in its themes, so different from time to time and place to place? And when we poke fun, at whom are we really laughing? At W... 606 $aRomance literature 606 $aBlack humor 606 $aHumor in literature 606 $aComic, The, in literature 615 0$aRomance literature. 615 0$aBlack humor. 615 0$aHumor in literature. 615 0$aComic, The, in literature. 676 $a016.4791 702 $aDa Silva$b Zenia Sacks 702 $aPell$b Gregory M. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827660903321 996 $aAt whom are we laughing$94035937 997 $aUNINA