LEADER 02447nam 2200613Ia 450 001 9910827626603321 005 20240516162811.0 010 $a1-283-95681-0 010 $a1-78042-873-1 035 $a(CKB)2670000000181052 035 $a(EBL)915249 035 $a(OCoLC)793511506 035 $a(SSID)ssj0000664729 035 $a(PQKBManifestationID)12201873 035 $a(PQKBTitleCode)TC0000664729 035 $a(PQKBWorkID)10633161 035 $a(PQKB)10643751 035 $a(MiAaPQ)EBC915249 035 $a(Au-PeEL)EBL915249 035 $a(CaPaEBR)ebr10622103 035 $a(CaONFJC)MIL426931 035 $a(PPN)197273718 035 $a(EXLCZ)992670000000181052 100 $a20091218d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSurrealism $egenesis of a revolution /$fNathalia Brodskai?a 205 $a1st ed. 210 $aNew York $cParkstone Press International$dc2009 215 $a1 online resource (256 p.) 225 0$aTemporis collection 300 $aIncludes index. 311 $a1-85995-018-3 320 $aIncludes bibliographical references and index. 327 $aCONTENTS; SURREALISM; MAX ERNST; YVES TANGUY; JOAN MIRO?; ANDRE? MASSON; RENE? MAGRITTE; SALVADOR DALi?; PAUL DELVAUX; SURREALISMWITHOUT FRONTIERS; NOTES; INDEX 330 $aSurrealists appeared in the aftermath of World War I with a bang: revolution of thought, creativity, and the wish to break away from the past and all that was left in ruins.This refusal to integrate into the bourgeois society was also a leitmotiv of Dada artists, and Andre? Breton asserted that Dada does not produce perspective. Surrealism emerged amidst such feeling. Surrealists and Dada artists often changed from one movement to another.They were united by their superior intellectualism and the common goal to break free from the norm. Describing the Surrealists with their aversive resistance 410 0$aTemporis 606 $aSurrealism 606 $aSurrealist artists$vBiography 608 $aBiographies$2lcgft 615 0$aSurrealism. 615 0$aSurrealist artists 676 $a844.91 700 $aBrodskai?a$b N. V$g(Natal?i?a Valentinovna)$0863734 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827626603321 996 $aSurrealism$93925867 997 $aUNINA