LEADER 03551nam 2200601 a 450 001 9910827624103321 005 20240516162713.0 010 $a1-283-95399-4 010 $a1-78042-952-5 035 $a(CKB)2670000000181011 035 $a(EBL)915178 035 $a(OCoLC)793511464 035 $a(SSID)ssj0000662723 035 $a(PQKBManifestationID)12255764 035 $a(PQKBTitleCode)TC0000662723 035 $a(PQKBWorkID)10721560 035 $a(PQKB)10830748 035 $a(MiAaPQ)EBC915178 035 $a(Au-PeEL)EBL915178 035 $a(CaPaEBR)ebr10649886 035 $a(CaONFJC)MIL426649 035 $a(PPN)197279171 035 $a(EXLCZ)992670000000181011 100 $a20130209d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a[Temptis]$b[electronic resource] $iHomosexuality in art /$fJames Smalls 205 $a1st ed. 210 1$aNew York :$cParkstone Press Ltd.,$d[2012]. 215 $a1 online resource (277 pages) 225 1 $aTemporis. 300 $aDescription based upon print version of record. 311 $a1-85995-865-6 320 $aIncludes bibliographical references and index. 327 $aContent; Introduction; Homosexuality in Western Antiquity; Comrades in Arms and the Body Beautiful; The Hellenistic Period: The Age of Dionysos; Greek Influence Abroad; The Disenchantments of Sappho; Rome from Republic to Empire; Pompeii; Homosexuality in the Middle Ages; The Unspeakable Vice; Fire and Brimstone; Sacred Pairings in the Byzantine World; The Romanesque Period (1000-1200); Intolerance and Repression (1200-1400); David and Jonathan; Moralizing Manuscripts; Descent into the Inferno; The Late Middle Ages; Female Homosexuality in the Middle Ages 327 $aHomosexuality in the Italian RenaissanceRenaissance Neoplatonism; Leonardo da Vinci (1452-1519); Michelangelo Buonarroti (1475-1564); Benvenuto Cellini (1500-1571); The Northern Renaissance; The Later Italian Renaissance; The Baroque Period; Female Homosexuality in the Renaissance; Homosexuality in the Art of The Non-Western World; India; China; Japan; Islam; 1700-1900: Towards A Homosexual Identity; Libertines and libertinism; Neoclassicism and Romanticism; Realism; Symbolism and the Leap of Imagination; From Aestheticism to Sexology; Homosexuality in the Art of Modernism and Postmodernism 327 $aI. From Modernism to Stonewall (1900-1969)Sappho on the Left Bank; II. From Stonewall to Postmodernism (post-1969); Conclusion; Bibliography; Index 330 $aThis book is not a panegyric of homosexuality. It is a scientific study led by Professor James Smalls who teaches art history in the prestigious University of Maryland, Baltimore. Abandoning all classical cliche?s and sociological approaches, the author highlights the sensibility particular to homosexuals. This book examines the process of creation and allows one to comprehend the contribution of homosexuality to the evolution of emotional perception. In a time when all barriers have been overcome, this analysis offers a new understanding of our civilisation's masterpieces. 410 0$aTemporis 606 $aHomosexuality in art 615 0$aHomosexuality in art. 676 $a704.9/49306766 700 $aSmalls$b James$f1958-$01602032 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827624103321 996 $aTemptis$93925842 997 $aUNINA