LEADER 03652nam 2200637 450 001 9910827609803321 005 20230803202331.0 010 $a94-012-1083-7 024 7 $a10.1163/9789401210836 035 $a(CKB)3710000000108939 035 $a(EBL)1686951 035 $a(SSID)ssj0001236417 035 $a(PQKBManifestationID)12437675 035 $a(PQKBTitleCode)TC0001236417 035 $a(PQKBWorkID)11247003 035 $a(PQKB)10182418 035 $a(MiAaPQ)EBC1686951 035 $a(OCoLC)879551393 035 $a(nllekb)BRILL9789401210836 035 $a(Au-PeEL)EBL1686951 035 $a(CaPaEBR)ebr10869716 035 $a(CaONFJC)MIL811830 035 $a(EXLCZ)993710000000108939 100 $a20140523h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCorporeality $eemergent consciousness within its spatial dimensions /$fMaya Nanitchkova O?ztu?rk ; Aart Jan Bergshoeff, cover design 210 1$aAmsterdam, Netherlands :$cRodopi,$d2014. 210 4$dİ2014 215 $a1 online resource (236 p.) 225 1 $aConsciousness, Literature and the Arts,$x1879-6044 ;$v39 300 $aThe Theatre Mode of Spatial Organization: An Analytical Framework. 311 $a90-420-3838-1 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Acknowledgements -- Introduction -- The ?lived?: from ?body? to the body with space -- From ?lived space? and experience to the materiality of experience -- Contextualizing corporeality: theatre space between mediation and generation of experience -- From space to sense?to sensibility -- Discussion -- Conclusion -- Bibliography -- Index. 330 $aCorporeality: Emergent consciousness within its spatial dimensions develops our understanding of what we can experience through our bodies in relation to the space around us. Rather than considering architecture as being about manifestation and mediation of fixed meanings, the book focuses instead on architectural space as a field that envelopes us incessantly, intimately, and affectively. We are in immediate contact with that space, and the way we relate to it determines how we are able to grasp the realities of the social and material worlds around us. This enquiry considers architectural space and its impact on and relation to us from a range of disciplines and perspectives, leading from space to sense and to sensibility. The theatre becomes a central point of reference on this journey, allowing us to understand how space ?works? by linking concrete spatial conditions to corresponding ?forms of experience?. It allows showing how the ways we feel, think, and act emerge from within the rich texture of the pre-conscious and non-contemplative. That texture is induced and nourished by our bodily encounters with space. Offering a view of how immediate experience is generated in the body, this book enhances empirical research into the links between space, body, experience and consciousness. 410 0$aConsciousness, literature & the arts ;$v39. 606 $aConsciousness 606 $aMemory (Philosophy) 606 $aPerception (Philosophy) 615 0$aConsciousness. 615 0$aMemory (Philosophy) 615 0$aPerception (Philosophy) 676 $a153 700 $aO?ztu?rk$b Maya Nanitchkova$01694439 702 $aBergshoeff$b Aart Jan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827609803321 996 $aCorporeality$94073011 997 $aUNINA