LEADER 03472nam 2200649Ia 450 001 9910827599903321 005 20200520144314.0 010 $a1-58729-434-6 035 $a(CKB)1000000000238653 035 $a(EBL)837086 035 $a(OCoLC)772845799 035 $a(SSID)ssj0000154152 035 $a(PQKBManifestationID)11162555 035 $a(PQKBTitleCode)TC0000154152 035 $a(PQKBWorkID)10406164 035 $a(PQKB)11759486 035 $a(MiAaPQ)EBC837086 035 $a(EXLCZ)991000000000238653 100 $a20020917d2003 ub 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe feminist avant-garde in American poetry /$fElisabeth A. Frost 205 $a1st ed. 210 $aIowa City $cUniversity of Iowa Press$dc2003 215 $a1 online resource (275 p.) 300 $aDescription based upon print version of record. 311 $a0-87745-836-7 320 $aIncludes bibliographical references (p. [209]-225) and index. 327 $aAcknowledgments; Introduction; Part I. Women Poets and the Historical Avant-Gardes; 1. "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons; 2. "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose"; Part II. Agendas of Race and Gender; 3. "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement; Part III. Traditions of Marginality; 4. "Unsettling" America: Susan Howe and Antinomian Tradition; 5. "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen; Epilogue; Notes; Works Cited; Permissions; Index 330 $aThe Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910's through the 1990's. Elisabeth Frost focuses on a diverse group of poets--Gertrude Stein, Mina Loy, Sonia Sanchez, Susan Howe, and Harryette Mullen--who make language the site of feminist politics. Her study captures the range of aesthetics and politics in the work of avant-garde women poets; challenges the ways in which avant-garde writing has been defined and categorized; expands traditional conceptions of feminism and feminist poetics; and addresses issues 606 $aAmerican poetry$y20th century$xHistory and criticism 606 $aFeminism and literature$zUnited States$xHistory$y20th century 606 $aAvant-garde (Aesthetics)$zUnited States$xHistory$y20th century 606 $aWomen and literature$zUnited States$xHistory$y20th century 606 $aAmerican poetry$xWomen authors$xHistory and criticism 606 $aExperimental poetry, American$xHistory and criticism 606 $aFeminist poetry$xHistory and criticism 615 0$aAmerican poetry$xHistory and criticism. 615 0$aFeminism and literature$xHistory 615 0$aAvant-garde (Aesthetics)$xHistory 615 0$aWomen and literature$xHistory 615 0$aAmerican poetry$xWomen authors$xHistory and criticism. 615 0$aExperimental poetry, American$xHistory and criticism. 615 0$aFeminist poetry$xHistory and criticism. 676 $a811.5099287 676 $a811/.5099287 700 $aFrost$b Elisabeth A$g(Elisabeth Ann),$f1963-$01760478 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827599903321 996 $aThe feminist avant-garde in American poetry$94199469 997 $aUNINA