LEADER 02555oam 2200625I 450 001 9910784035903321 005 20230421043821.0 010 $a1-135-29926-9 010 $a1-135-29927-7 010 $a1-280-14605-2 010 $a0-203-98950-3 024 7 $a10.4324/9780203989500 035 $a(CKB)1000000000334752 035 $a(EBL)235207 035 $a(OCoLC)475942788 035 $a(SSID)ssj0000160762 035 $a(PQKBManifestationID)11154076 035 $a(PQKBTitleCode)TC0000160762 035 $a(PQKBWorkID)10190537 035 $a(PQKB)11130428 035 $a(MiAaPQ)EBC235207 035 $a(Au-PeEL)EBL235207 035 $a(CaPaEBR)ebr10093526 035 $a(CaONFJC)MIL14605 035 $a(OCoLC)437148821 035 $a(OCoLC)76898534 035 $a(EXLCZ)991000000000334752 100 $a20180706d1997 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGardzienice $ePolish theatre in transition /$fPaul Allain 210 1$aAmsterdam :$cHarwood Academic Publishers,$d1997. 215 $a1 online resource (176 p.) 225 1 $aContemporary theatre studies ;$vv. 22 300 $aDescription based upon print version of record. 311 $a90-5702-105-6 311 $a90-5702-106-4 320 $aIncludes bibliographical references (p. [155]-159) and index. 327 $aPreliminaries; CONTENTS; Introduction to the Series; List of Plates; Acknowledgements; Introduction; 1 Polish Theatre Romanticism Fades; 2 The Rural Context and Gardzienice Village; 3 Polish Society The Art of Gathering; 4 The Formation of Gardzienice From Grotowski and Paratheatre; 5 Training; 6 Performances; 7 European Parallels Future Models; 8 An Intercultural Assessment; 9 Searching for a New Language; Conclusion; Postscript; Appendix Polishing up on the Classics; Notes; Bibliography; Index; 330 $aThis is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased 410 0$aContemporary theatre studies ;$vv. 22. 517 3 $aPolish theatre in transition 606 $aTheater$zPoland$y20th century 615 0$aTheater 676 $a792.09438 700 $aAllain$b Paul.$01161322 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910784035903321 996 $aGardzienice$93757585 997 $aUNINA LEADER 01919nam 2200433 450 001 9910827580503321 005 20230809233745.0 010 $a1-62625-935-6 035 $a(CKB)4340000000188531 035 $a(MiAaPQ)EBC4819723 035 $a(EXLCZ)994340000000188531 100 $a20170728h20172017 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe anorexia recovery skills workbook $ea comprehensive guide to cope with difficult emotions, embrace self-acceptance & prevent relapse /$fCatherine L. Ruscitti, PsyD, Jeffrey E. Barnett, PsyD, ABPP, Rebecca A. Wagner, PhD 210 1$aOakland, CA :$cNew Harbinger Publications, Incorporated,$d[2017] 210 4$d©2017 215 $a1 online resource (274 pages) $cillustrations 225 1 $aA new Harbinger self-help workbook 311 $a1-62625-934-8 320 $aIncludes bibliographical references. 330 $a"If you have anorexia, it can be difficult to see yourself clearly, even after treatment. That's why it's so important for you to have resources available to prevent relapse. Written by three psychologists and experts in eating disorders, this important guide provides evidence-based skills blending acceptance and commitment therapy (ACT), cognitive behavioral therapy (CBT), and dialectical behavior therapy (DBT) to help you recover--and stay on the path to recovery"--$cPublisher's website. 410 0$aNew Harbinger self-help workbook. 606 $aAnorexia 615 0$aAnorexia. 676 $a616.85262 700 $aRuscitti$b Catherine L.$01700803 702 $aBarnett$b Jeffrey L. 702 $aWagner$b Rebecca A. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827580503321 996 $aThe anorexia recovery skills workbook$94084101 997 $aUNINA LEADER 03685nam 22006495 450 001 996582049803316 005 20230801225004.0 010 $a0-8147-3897-4 024 7 $a10.18574/9780814738979 035 $a(CKB)2670000000269834 035 $a(EBL)1057771 035 $a(OCoLC)818819032 035 $a(SSID)ssj0000832337 035 $a(PQKBManifestationID)11966404 035 $a(PQKBTitleCode)TC0000832337 035 $a(PQKBWorkID)10881667 035 $a(PQKB)10187498 035 $a(StDuBDS)EDZ0001326219 035 $a(MiAaPQ)EBC1057771 035 $a(OCoLC)1175640703$z(OCoLC)817560278$z(OCoLC)818819032$z(OCoLC)1162196684 035 $a(OCoLC)on1175640703 035 $a(MdBmJHUP)muse19227 035 $a(DE-B1597)548518 035 $a(DE-B1597)9780814738979 035 $a(OCoLC)817560278 035 $a(EXLCZ)992670000000269834 100 $a20200608h20122012 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Makeover $eReality Television and Reflexive Audiences /$fKatherine Sender 210 1$aNew York, NY : $cNew York University Press, $d[2012] 210 4$d©2012 215 $a1 online resource (255 p.) 225 0 $aCritical Cultural Communication ;$v26 300 $aDescription based upon print version of record. 311 $a0-8147-4070-7 311 $a0-8147-4069-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $t1. Self-Projects -- $t2. Gender and Genre -- $t3. Not Like Paris Hilton -- $t4. Shame on You -- $t5. Feeling Real -- $t6. Mirror, Mirror -- $t7. Research Reflexivity -- $t8. Once More with Feeling -- $tAppendix I. Protocols -- $tAppendix II. Demographic Data -- $tNotes -- $tBibliography -- $tIndex -- $tAbout the Author 330 $aWatch this show, buy this product, you can be a whole new you! Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who watch them? As it turns out, surprisingly little.The Makeover is the first book to consider the rapid rise of makeover shows from the perspectives of their viewers. Katherine Sender argues that this genre of reality television continues a long history of self-improvement, shaped through contemporary media, technological, and economic contexts. Most people think that reality television viewers are ideological dupes and obliging consumers. Sender, however, finds that they have a much more nuanced and reflexive approach to the shows they watch. They are critical of the instruction, the consumer plugs, and the manipulative editing in the shows. At the same time, they buy into the shows? imperative to construct a reflexive self: an inner self that can be seen as if from the outside, and must be explored and expressed to others. The Makeover intervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forward. 410 0$aCritical cultural communication. 606 $aMakeover television programs$xHistory and criticism 606 $aReality television programs$xHistory and criticism 615 0$aMakeover television programs$xHistory and criticism. 615 0$aReality television programs$xHistory and criticism. 676 $a791.45655 686 $aAP 35160$2rvk 700 $aSender$b Katherine, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01598162 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996582049803316 996 $aThe Makeover$94128414 997 $aUNISA LEADER 01514nam a2200325 i 4500 001 991004002269707536 005 20250409194459.0 008 220620s1987 it er 001 0 ita d 035 $ab14421756-39ule_inst 040 $aDip.to di Storia, Societą e Studi sull'Uomo$bita$dSocioculturale Scs 041 0 $aita 082 04$a016.35300817$223 110 2 $aItalia :$bArchivio storico diplomatico$0825827 245 03$aIl fondo archivistico <> /$ca cura di Laura Pilotti 260 $aRoma :$bIstituto poligrafico e Zecca dello Stato,$c1987 300 $a590 p. ;$c27 cm. 490 1 $aFonti per la storia dell'emigrazione ;$v6 500 $aIn testa al frontesp.: Ministero degli affari esteri, Direzione generale dell'emigrazione e degli affari sociali, Archivio storico diplomatico 610 24$aMinistero degli affari esteri$xArchivio storico diplomatico$vInventari 650 4$aEmigrazione italiana$vFonti archivistiche$y1861-1939 700 1 $aPilotti, Laura 710 1 $aMinistero degli affari esteri$bDirezione generale dell'emigrazione e degli affari sociali 710 1 $aArchivio storico diplomatico 830 0$aFonti per la storia dell'emigrazione ;$v6 907 $a.b14421756$b19-10-21$c19-10-21 912 $a991004002269707536 945 $aLE023 016.353 ITA 1 2$g1$i2023000198322$lle023$og$pE30.00$q-$rn$so$t0$u0$v0$w0$x0$y.i15981782$z19-10-21 996 $aFondo archivistico$94291809 997 $aUNISALENTO 998 $ale023$b19-10-21$cm$da$e-$fita$git$h3$i0