LEADER 02939nam 2200565Ia 450 001 9910461873603321 005 20200520144314.0 010 $a1-60781-210-X 035 $a(CKB)2670000000273983 035 $a(EBL)3443863 035 $a(SSID)ssj0000721212 035 $a(PQKBManifestationID)12328542 035 $a(PQKBTitleCode)TC0000721212 035 $a(PQKBWorkID)10687927 035 $a(PQKB)11560683 035 $a(MiAaPQ)EBC3443863 035 $a(OCoLC)813285845 035 $a(MdBmJHUP)muse48834 035 $a(Au-PeEL)EBL3443863 035 $a(CaPaEBR)ebr10608556 035 $a(OCoLC)932314632 035 $a(EXLCZ)992670000000273983 100 $a20120418d2012 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMen at work$b[electronic resource] $erediscovering Depression-era stories from the Federal Writers' Project /$fedited and introduced by Matthew L. Basso 210 $aSalt Lake City $cUniversity of Utah Press$dc2012 215 $a1 online resource (367 p.) 300 $aDescription based upon print version of record. 311 $a1-60781-189-8 327 $a""Contents""; ""Illustrations""; ""Acknowledgments""; ""Introduction""; ""Original Preface""; ""Section I: Times Have Changed""; ""Drift Miner""; ""Logging in the Rain""; ""Save the Peavies""; ""The Fish are Running""; ""Wild Bill""; ""The Boomer Fireman's Fast Sooner Hound""; ""Mules Ain't Jackasses""; ""The Driller""; """Snake" Magee and the Rotary Boiler""; ""Sade Duggett""; ""Discontinued Model""; ""The Type Louse""; ""Section II: Time Stands Still""; ""Basi?lico Gardun?o, New Mexican Sheepherder""; ""A Tabaquero Talks""; ""Navaho Trader""; ""An Organ Builder's Soliloquy"" 327 $a""Section III: Modern Times""""Part One: The Producers""; ""Anaconda""; ""Cannery Row""; ""The Fruit Packers""; ""Still Operator""; ""Pogy Boat""; ""Shingletown""; ""Mine Timekeeper""; ""Greedy-Gut Gus, The Car Toad""; ""San Francisco Longshore Gang""; ""Part Two: Selling the Public""; ""Tobacco Auctioneer""; ""Pay Dirt""; ""Slappy Hooper, World's Biggest, Fastest, and Bestest Sign Painter""; ""Part Three: The Artists""; ""Jazz Music: Chicago Style""; ""Everything's Dangerous""; ""Soup Circuit""; ""Sven, The Hundred Proof Irishman""; ""Part Four: For the Future""; ""Salmon for the Columbia"" 327 $a""The Ship yards Get A Welder""""Illustrations""; ""Contributors' Biographies"" 606 $aWorking class writings, American 606 $aWorking class$vLiterary collections 608 $aElectronic books. 615 0$aWorking class writings, American. 615 0$aWorking class 676 $a810.8/09220623 701 $aBasso$b Matthew$0928162 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461873603321 996 $aMen at work$92085814 997 $aUNINA LEADER 03789nam 2200589 450 001 9910827574003321 005 20221020220038.0 010 $a0-86196-904-9 035 $a(CKB)3710000000365725 035 $a(EBL)1977963 035 $a(SSID)ssj0001437498 035 $a(PQKBManifestationID)12591983 035 $a(PQKBTitleCode)TC0001437498 035 $a(PQKBWorkID)11372587 035 $a(PQKB)11687732 035 $a(OCoLC)904138182 035 $a(MdBmJHUP)muse47476 035 $a(Au-PeEL)EBL1977963 035 $a(CaPaEBR)ebr11051528 035 $a(OCoLC)905984438 035 $a(MiAaPQ)EBC1977963 035 $a(EXLCZ)993710000000365725 100 $a20150511h20122012 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAnimation $eart & industry /$fedited by Maureen Furniss 210 1$aHerts :$cJL,$d[2012] 210 4$d©2012 215 $a1 online resource (vii, 240 pages) 300 $aDescription based upon print version of record. 311 $a0-86196-680-5 320 $aIncludes bibliographical references and index. 327 $tIntroduction /$rMaureen Furniss --$tGlobal perspectives --$tFine art animation /$rCecile Starr --$tSome critical perspectives on Lotte Reiniger /$rWilliam Moritz --$tIt's Mickey Mouse /$rEsther Leslie --$tNorman McLaren : His UNESCO work in Asia /$rTerence Dobson --$tConventions versus clichés /$rPatrick Drazen --$tMy neighbor Totoro /$rHelen McCarthy --$tGlocalisation vs. Globalization : The work of Nick Park and Peter Lord /$rMarian Quigley --$tToward a postmodern animated discourse : Bakhtin, intertextuality and the cartoon carnival /$rTerry Lindvall and Matthew Melton --$tInnocent play or the copycat effect? Computer game research and classification /$rJørgen Stensland --$tWinsor McCay /$rJohn Canemaker --$tThe live wire : Margaret J. Winkler and animation history /$rJ. B. Kaufman --$tDisney and the art world : The early years /$rBill Mikulak --$tThe art of Chuck Jones : John Lewell interviews the veteran Hollywood animator /$rJohn Lewell and Chuck Jones --$tThe Disney studio at war /$rCharles Solomon --$tUPA /$rJules Engel --$tBlacklisted animators /$rKarl Cohen --$tClay animation and the early days of television : The "Gumby" series /$rMichael Frierson --$tCommercial breaks /$rBill Hanna and Tom Ito --$t"Cartoon, anti-cartoon" /$rGeorge Griffin --$tComputers, new technology and animation /$rJames Lindner, Tina Price, Carl Rosendahl, and John Lasseter --$tThe illusion of "identity" : Gender and racial representation in Aladdin /$rSean Griffin --$tSelling Bugs Bunny : Warner Bros. and character merchandising in the nineties /$rLinda Simensky. 330 $aAnimation-Art and Industry is an introductory reader covering a broad range of animation studies topics, focusing on both American and international contexts. It provides information about key individuals in the fields of both independent and experimental animation, and introduces a variety of topics relevant to the critical study of media-censorship, representations of gender and race, and the relationship between popular culture and fine art. Essays span the silent era to the present, include new media such as web animation and gaming, and address animation made using a variety of techniques. 606 $aAnimation (Cinematography) 606 $aAnimated films 606 $aPerforming Arts 615 0$aAnimation (Cinematography) 615 0$aAnimated films. 615 0$aPerforming Arts. 676 $a791.4334 702 $aFurniss$b Maureen 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827574003321 996 $aAnimation$92016743 997 $aUNINA