LEADER 03146nam 2200577 a 450 001 9910457211903321 005 20210514001304.0 010 $a1-283-37059-X 010 $a9786613370594 010 $a1-84150-602-8 035 $a(CKB)2550000000075073 035 $a(EBL)830096 035 $a(OCoLC)769344352 035 $a(SSID)ssj0000640342 035 $a(PQKBManifestationID)11439467 035 $a(PQKBTitleCode)TC0000640342 035 $a(PQKBWorkID)10612073 035 $a(PQKB)10214977 035 $a(MiAaPQ)EBC830096 035 $a(Au-PeEL)EBL830096 035 $a(CaPaEBR)ebr10520574 035 $a(CaONFJC)MIL337059 035 $a(EXLCZ)992550000000075073 100 $a20120111d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReaching audiences$b[electronic resource] $edistribution and promotion of alternative moving image /$fJulia Knight and Peter Thomas 210 $aBristol, U.K. $cIntellect$d2011 215 $a1 online resource (306 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-157-3 320 $aIncludes bibliographical references and index. 327 $aFrontCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword by Geoffrey Nowell-Smith; List of Abbreviations; Introduction: So Much More than Meets the Eye; Chapter 1: DIY, Counterculture and State Funding: The London Film-Makers' Co-op; Chapter 2: Exhibition, Political Agendas and Access to Audiences: The Other Cinema and Cinema of Women; Chapter 3: Technology, Television and Seeking Wider Audiences: London Video Access/London Electronic Arts and Albany Video Distribution 327 $aChapter 4: Promotion, Selection and Engaging Audiences: Circles, Film and Video Umbrella, London Video Access and London Film-Makers' Co-opChapter 5: Changing Conditions, Under-Resourcing and Self-Sustainability: Cinenova; Chapter 6: Questions of Strategy, Policy and Agency: The Lux Saga; Chapter 7: Understanding Distribution; Appendix: Research Sources; Select Bibliography; Index; BackCover 330 $aWith a Foreword by Geoffrey Nowell-Smith From Hollywood blockbusters to artists' film and video, distributors play a vitally important role in getting films in front of audiences. As the link between production and exhibition, their acquisition policies, promotional practices, and level of resources determine what is available, and so help shape the very nature of our film culture. Reaching Audiences is centrally concerned with the distribution practices that have been developed to counter Hollywood's traditional dominance of the marketplace, and ensure audiences have access to a more diverse 606 $aMass media 608 $aElectronic books. 615 0$aMass media. 676 $a808.066302 700 $aKnight$b Julia$0954719 701 $aThomas$b Peter$g(Peter Campbell)$0429130 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457211903321 996 $aReaching audiences$92159446 997 $aUNINA LEADER 01140oam 2200397 450 001 9910817625603321 005 20230823002520.0 010 $a1-78836-050-8 010 $a1-78836-049-4 035 $a(CKB)4100000011759140 035 $a(MiAaPQ)EBC6474390 035 $a(EXLCZ)994100000011759140 100 $a20210702d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIconoclasm, identity politics and the erasure of history /$fAlexander Adams 210 1$aExeter, England :$cImprint Academic,$d[2020] 210 4$d©2020 215 $a1 online resource (167 pages) $cillustrations 311 $a1-78836-042-7 606 $aIconoclasm 606 $aIdentity politics 615 0$aIconoclasm. 615 0$aIdentity politics. 676 $a701.03 700 $aAdams$b Alexander$0130698 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 906 $aBOOK 912 $a9910817625603321 996 $aIconoclasm, identity politics and the erasure of history$93921997 997 $aUNINA LEADER 02365nam 2200553 450 001 9910827483403321 005 20230126212914.0 010 $a1-871891-21-3 035 $a(CKB)3710000000410681 035 $a(EBL)3238452 035 $a(SSID)ssj0001576211 035 $a(PQKBManifestationID)16245448 035 $a(PQKBTitleCode)TC0001576211 035 $a(PQKBWorkID)14854645 035 $a(PQKB)10992289 035 $a(MiAaPQ)EBC3238452 035 $a(Au-PeEL)EBL3238452 035 $a(CaPaEBR)ebr11052367 035 $a(OCoLC)909894864 035 $a(EXLCZ)993710000000410681 100 $a20150518h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBusiness ethics and corporate social responsibility $eCambridge-Gourlay-Trinity lectures /$fRosamund Thomas 210 1$aEdmunds, England :$cEthics International Press,$d2015. 210 4$d©2015 215 $a1 online resource (115 p.) 225 0 $aTeaching Ethics ;$vVolume Five 300 $aDescription based upon print version of record. 311 $a1-871891-20-5 327 $a""BUSINESS ETHICS AND CORPORATE SOCIAL RESPONSIBILITY:""; ""1ST TITLE PAGE""; ""2ND TITLE PAGE""; ""CONTENTS""; ""FOREWORD""; ""INTRODUCTION AND ACKNOWLEGEMENTS""; ""EIGHT LECTURES""; ""1. THE ROLE OF MODERN BUSINESS: PROFITa???MAKING?""; ""2. BUSINESS ETHICS AND COMMUNITY GIVING""; ""3. BUSINESS ETHICS: PUBLIC RELATIONS?""; ""4. ETHICAL CONTROVERSIES IN BUSINESS MANAGEMENT: HOW THEY AFFECT CORPORATE REPUTATION""; ""5. TO WHAT EXTENT IS IT POSSIBLE TO LEGISLATE FOR ETHICS?""; ""6. BUSINESS ETHICS AND THE ACCOUNTANCY PROFESSION"" 327 $a""7. THE ETHICS OF LEADERSHIP, AND DEVELOPMENTS IN BUSINESS ETHICS""""8. BUSINESS ETHICS AND CITIZENSHIP FOR SCHOOLS: A BRITISHa???AUSTRALIAN COMPARISON""; ""PHOTOGRAPHS"" 410 0$aTeaching Ethics Book Series 606 $aBusiness ethics 606 $aSocial responsibility of business 615 0$aBusiness ethics. 615 0$aSocial responsibility of business. 676 $a174.4 700 $aThomas$b Rosamund M. $0246711 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827483403321 996 $aBusiness ethics and corporate social responsibility$94117330 997 $aUNINA