LEADER 03765nam 2200697 a 450 001 9910827364803321 005 20230126210402.0 010 $a1-4384-4647-0 010 $a1-4619-3026-X 024 7 $a10.1515/9781438446479 035 $a(CKB)2670000000369287 035 $a(EBL)3408740 035 $a(SSID)ssj0000886324 035 $a(PQKBManifestationID)12429088 035 $a(PQKBTitleCode)TC0000886324 035 $a(PQKBWorkID)10816749 035 $a(PQKB)10625132 035 $a(MiAaPQ)EBC3408740 035 $a(Au-PeEL)EBL3408740 035 $a(CaPaEBR)ebr10704757 035 $a(OCoLC)845354900 035 $a(DE-B1597)683996 035 $a(DE-B1597)9781438446479 035 $a(EXLCZ)992670000000369287 100 $a20120608d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLost in transition $eHong Kong culture in the age of China /$fYiu-Wai Chu 210 $aAlbany $cState University of New York Press$dc2013 215 $a1 online resource (228 p.) 225 1 $aSUNY series in global modernity 300 $aDescription based upon print version of record. 311 $a1-4384-4645-4 320 $aIncludes bibliographical references and index. 327 $aThe Rise of China and Its Soft Power : Chineseness Reconfigured in the Age of Global Modernity -- Central District Values : Or, the Donaldization of Hong Kong Society -- Brand Hong Kong : Asia's World City as Method? -- One Country, Two Cultures? : Hong Kong Cinema and/as Chinese Cinema -- Who Sings Hong Kong? : Remapping Cantopop in the Global Era -- Conclusion: Toward a New Hong Kong. 330 $aIn this timely and insightful book, Yiu-Wai Chu takes stock of Hong Kong's culture since its transition to a Special Administrative Region of the People's Republic of China in 1997. Hong Kong had long functioned as the capitalist and democratic stepping stone to China for much of the world. Its highly original popular culture was well known in Chinese communities, and its renowned film industry enjoyed worldwide audiences and far-reaching artistic influence.Chu argues that Hong Kong's culture was "lost in transition" when it tried to affirm its international visibility and retain the status quo after 1997. In an era when China welcomed outsiders and became the world's most rapidly developing economy, Hong Kong's special position as a capitalist outpost was no longer a privilege. By drawing on various cultural discourses, such as film, popular music, and politics of everyday life, Chu provides an informative and critical analysis of the impact of China's ascendency on the notion of "One Country, Two Cultures." Hong Kong can no longer function as a bridge between China and the world, writes Chu, and must now define itself from global, local, and national perspectives. 410 0$aSUNY series in global modernity. 606 $aSocial change$zChina$zHong Kong 606 $aGroup identity$zChina$zHong Kong 606 $aNational characteristics, Chinese 607 $aHong Kong (China)$xSocial life and customs 607 $aHong Kong (China)$xSocial conditions 607 $aHong Kong (China)$xIntellectual life 607 $aGlobalization$xSocial aspects$zChina$zHong Kong 607 $aHong Kong (China)$xRelations$zChina 607 $aChina$xRelations$zChina$zHong Kong 615 0$aSocial change 615 0$aGroup identity 615 0$aNational characteristics, Chinese. 676 $a951.2506 700 $aZhu$b Yaowei$f1965-$0793167 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827364803321 996 $aLost in transition$94094560 997 $aUNINA