LEADER 01617nam0-2200409---450- 001 990000975520203316 005 20100617094621.0 035 $a0097552 035 $aUSA010097552 035 $a(ALEPH)000097552USA01 035 $a0097552 100 $a20020222d1996----km-y0ITAy01------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aTrasferimento elettronico di fondi$euna nuova modalita di adempimento?$fVirginia Zambrano 210 $aSarno$cEdizioni dell'Ippogrifo$d1996 215 $a101 p$d24 cm 225 2 $aQuaderni del Dipartimento$iRicerche$v2 300 $aIn testa al front.: Università degli studi di Salerno, Dipartimento di diritto dei rapporti civili ed economici nei sistemi giuridici contemporanei 410 $12001$aQuaderni del Dipartimento$iRicerche$v2 606 0 $aDepositi bancari$xTrasferimento$xautomazione$xAspetti giuridici 676 $a346.450821028 700 1$aZAMBRANO,$bVirginia$0240686 801 0$aIT$bsalbc$gISBD 912 $a990000975520203316 951 $aXXV.1. Coll. 40/ 4 (X 29 XXV 2)$b12248 G$cXXV.1. Coll. 40/ 4 (X 29 XXV)$d00271220 951 $aXXV.1. Coll. 40/ 4a (X 29 XXV 2)$b12249 G$cXXV.1. Coll. 40/ 4a (X 29 XXV)$d00271221 951 $aXXV.1. Coll. 40/ 4b (X 29 XXV 2)$b12250 G$cXXV.1. Coll. 40/ 4b (X 29 XXV)$d00271222 959 $aBK 969 $aGIU 979 $aPATTY$b90$c20020222$lUSA01$h1017 979 $c20020403$lUSA01$h1739 979 $aPATRY$b90$c20040406$lUSA01$h1707 979 $aRSIAV4$b90$c20100617$lUSA01$h0946 996 $aTrasferimento elettronico di fondi$9650107 997 $aUNISA LEADER 02893nam 2200625Ia 450 001 9910827320903321 005 20230421042357.0 010 $a0-19-772952-5 010 $a0-19-988012-3 010 $a1-4237-4048-3 010 $a1-280-45166-1 010 $a0-19-535662-4 010 $a1-60256-076-5 035 $a(CKB)1000000000028789 035 $a(EBL)716708 035 $a(OCoLC)191931486 035 $a(SSID)ssj0000264644 035 $a(PQKBManifestationID)11225509 035 $a(PQKBTitleCode)TC0000264644 035 $a(PQKBWorkID)10290807 035 $a(PQKB)10461193 035 $a(Au-PeEL)EBL716708 035 $a(CaPaEBR)ebr10086914 035 $a(CaONFJC)MIL45166 035 $a(MiAaPQ)EBC716708 035 $a(EXLCZ)991000000000028789 100 $a19980105d1997 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aUnderstanding rock$b[electronic resource] $eessays in musical analysis /$fedited by John Covach and Graeme M. Boone 210 $aNew York $cOxford University Press$d1997 215 $a1 online resource (427 p.) 300 $aIncludes index. 311 $a0-19-510004-2 311 $a0-19-510005-0 327 $aCover Page; Title Page; Copyright Page; Preface; Acknowledgments; Contents; Contributors; 1 Progressive Rock, "Close to the Edge," and the Boundaries of Style; 2 After Sundown The Beach Boys' Experimental Music; 3 Blues Transformations in the Music of Cream; 4 Joanie" Get Angry k. d. lang's Feminist Revision; 5 Swallowed by a Song Paul Simon's Crisis of Chromaticism; 6 "Little Wing" A Study in Musical Cognition; 7 Tonal and Expressive Ambiguity in "Dark Star"; Index 330 $aAmid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpr 606 $aRock music$xHistory and criticism 606 $aRock music$xAnalysis, appreciation 615 0$aRock music$xHistory and criticism. 615 0$aRock music$xAnalysis, appreciation. 676 $a781.66/0973 676 $a781.660973 701 $aCovach$b John Rudolph$01634064 701 $aBoone$b Graeme M$g(Graeme MacDonald),$f1954-$01634065 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827320903321 996 $aUnderstanding rock$93974126 997 $aUNINA