LEADER 04285nam 2200661 a 450 001 9910827315003321 005 20240418042549.0 010 $a0-292-73484-0 024 7 $a10.7560/723214 035 $a(CKB)2550000000047975 035 $a(SSID)ssj0000572846 035 $a(PQKBManifestationID)12230372 035 $a(PQKBTitleCode)TC0000572846 035 $a(PQKBWorkID)10530328 035 $a(PQKB)11350561 035 $a(MiAaPQ)EBC3443555 035 $a(Au-PeEL)EBL3443555 035 $a(CaPaEBR)ebr10498090 035 $a(OCoLC)753976358 035 $a(DE-B1597)588411 035 $a(DE-B1597)9780292734845 035 $a(EXLCZ)992550000000047975 100 $a20110303d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFoxboy$b[electronic resource] $eintimacy and aesthetics in Andean stories /$fCatherine J. Allen ; with illustrations by Julia Meyerson 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$dc2011 215 $axii, 279 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-72321-0 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tacknowledgments -- $tFRINGE -- $tBEGINNING -- $tCHAPTER ONE A MARRIED COUPLE -- $tCHAPTER TWO A FOX! -- $tCHAPTER THREE INNER THREADS -- $tCHAPTER FOUR STRANGE SPOUSES -- $tCHAPTER FIVE LISTENING TO NUMBERS -- $tCHAPTER SIX ?CHAYRÍ?? ?AND THEN?? -- $tCHAPTER SEVEN AT THE BASE OF A BOULDER -- $tCHAPTER EIGHT HOUSE OF DAMNED SOULS -- $tCHAPTER NINE CANNIBAL LOVER -- $tCHAPTER TEN MAMACHA -- $tCHAPTER ELEVEN INSIDE OUT -- $tRETURNING -- $tFRINGE And that?s about it -- $tAPPENDIX A ?KUNDURMANTA? ?About Condor? -- $tAPPENDIX B ?UKUKUMANTA? ?About Bear? -- $tAPPENDIX C ?CH?ASKA WARMI? ?Star-wife? -- $tAPPENDIX D ?HUALLASMANTA? ?About the Huallas? -- $tAPPENDIX E GUIDE TO PRONUNCIATION AND GLOSSARY -- $tNOTES -- $tBIBLIOGRAPHY -- $tSTORY INDEX -- $tSUBJECT INDEX 330 $aOnce there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others?fabric weaving, in particular?and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations?indigenous language and woven cloth?and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest. 606 $aQuechua Indians$vFolklore 606 $aQuechua language$vTexts 606 $aQuechua textile fabrics 606 $aFoxes$vFolklore 606 $aTales$zAndes Region 606 $aErotic stories$xSocial aspects$zAndes Region 615 0$aQuechua Indians 615 0$aQuechua language 615 0$aQuechua textile fabrics. 615 0$aFoxes 615 0$aTales 615 0$aErotic stories$xSocial aspects 676 $a398.2098 700 $aAllen$b Catherine J$01634026 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827315003321 996 $aFoxboy$93974071 997 $aUNINA