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010   $a1-283-27166-4
010   $a9786613271662
010   $a1-4411-2409-8
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035   $a(EBL)766074
035   $a(OCoLC)741690877
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100   $a20100128d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aUnderstanding records $ea field guide to recording practice /$fJay Hodgson
205   $a1st ed.
210   $aNew York $cContinuum$d2010
215   $a1 online resource (271 p.)
300   $aDescription based upon print version of record.
311   $a1-4411-5607-0 
320   $aIncludes bibliographical references. index.
327   $aContents; Introduction; 1. Tracking; 2. Signal Processing; 3. Mixing; 4. Mastering; Appendix: Post-Production; Works Consulted And Cited; Index
330   $aThis is an accessible and comprehensive survey of core production and engineering techniques used in popular music since 1945. Recording Practice is musical practice, a technical but artistic affair. ""Understanding Records"" explains the musical language of Recording Practice in a way that any interested reader can understand. Drawing on readily available hit records produced since 1945, each section of this book explains a handful of core production and engineering techniques in chronological record-making sequence, elucidating how those techniques work, what they sound like, how they functi
606   $aPopular music$xProduction and direction
606   $aPopular music$xAnalysis, appreciation
606   $aSound recordings$xProduction and direction
615  0$aPopular music$xProduction and direction.
615  0$aPopular music$xAnalysis, appreciation.
615  0$aSound recordings$xProduction and direction.
676   $a781.49
700   $aHodgson$b Jay$0891675
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910827291303321
996   $aUnderstanding Records$93994115
997   $aUNINA