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100   $a20121214d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aPerforming consciousness /$fedited by Per Brask and Daniel Meyer-Dinkgrafe
205   $a1st ed.
210   $aNewcastle upon Tyne $cCambridge Scholars Pub.$d2010
210   $aNewcastle upon Tyne $cCambridge Scholars Pub.$d2010
215   $a1 online resource (229 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-1634-5 
320   $aIncludes bibliographical references.
327   $aTABLE OF CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CONTRIBUTORS
330   $aSince its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art f...
606   $aActing$xPsychological aspects
606   $aActing$xPhilosophy
615  0$aActing$xPsychological aspects.
615  0$aActing$xPhilosophy.
676   $a792.028019
701   $aBrask$b Per$01493235
701   $aMeyer-Dinkgrafe$b Daniel$f1958-$0852416
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910827282103321
996   $aPerforming consciousness$94064798
997   $aUNINA