LEADER 03417nam  22004932  450 
001 9910827256903321
005 20170831151816.0
010   $a1-4744-1899-6
010   $a1-4744-1898-8
024 7 $a10.1515/9781474418980
035   $a(CKB)3710000001156182
035   $a(StDuBDS)EDZ0001740750
035   $a(MiAaPQ)EBC5013818
035   $a(UkCbUP)CR9781474418980
035   $a(DE-B1597)614466
035   $a(DE-B1597)9781474418980
035   $a(OCoLC)1301548273
035   $a(EXLCZ)993710000001156182
100   $a20170302d2017||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe Shakespearean inside $ea study of the complete soliloquies and solo asides /$fMarcus Nordlund$b[electronic resource]
210  1$aEdinburgh :$cEdinburgh University Press,$d2017.
215   $a1 online resource (ix, 237 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 28 Aug 2017).
311   $a1-4744-1897-X 
320   $aIncludes bibliographical references and index.
327   $aMachine generated contents note:$g1.$tDirection --$g2.$tDivergence --$g3.$tDialogue --$g4.$tDistribution.
330   $aThe first comprehensive and fully systematic study of all soliloquies and solo asides in Shakespeare's plays.<p>The Shakespearean Inside is a study of all soliloquies and solo asides (dubbed "insides" for short) in Shakespeare's complete plays. The first step in the research process was the creation of the Shakespearean Inside Database (SID) where these speeches were annotated according to variables of genuine literary interest (such as act, dramatic subgenre, probable time of composition, dramatic speech acts, selected figures of speech, and character attributes such as gender and class). Such comprehensive and detailed data makes it possible to generalize dependably about Shakespeare's authorial habits, and, by extension, to identify situations where the author departs in interesting ways from his habitual practices. The monograph uses these broad patterns and significant exceptions as a backdrop for fresh interpretations of various Shakespeare plays (from early works such as The Taming of the Shrew and The Two Gentlemen of Verona to mature tragedies like Hamlet and late plays like The Tempest and The Two Noble Kinsmen).</p>Key Features<ul><li>A unique combination of digital annotation and traditional interpretive practices offering fresh insights into Shakespeare's soliloquies and solo asides</li><li>Based on a new type of data that allows for dependable and transparent generalisations about Shakespeare's habitual practices, and significant departures from these practices, over time and across subgenres</li><li>Sheds new light on a number of Shakespeare plays, from early comedies to mature tragedies and late romances</li></ul>
606   $aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh$2bisacsh
608   $aCriticism, interpretation, etc.$2fast
615  7$aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
676   $a822.3/3
686   $aHI 3390$2rvk
700   $aNordlund$b Marcus$01724606
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910827256903321
996   $aThe Shakespearean inside$94126828
997   $aUNINA