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100   $a20000920d2001      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFraming the South $eHollywood, television, and race during the Civil Rights struggle /$fAllison Graham
205   $a1st ed.
210   $aBaltimore $cJohns Hopkins University Press$d2001
215   $a1 online resource (235 p.)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8018-7445-9 
311   $a0-8018-6615-4 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: Ramapping Dogpatch -- 1. "The Purest of God's Creatures": White Women, Blood Pollution, and Southern Sexuality -- 2. Sentimental Educations: Romance, Race, and White Redemption -- 3. Natural Acts: Hillbillies, Delinquents, and the Disappearing Psyche -- 4. Reeducating the Southerner: Elvis, Rednecks, and Hollywood's "White Negro" -- 5. Civil Rights Films and the New Red Menace: The Legacy of the 1960s
330   $a"Graham deftly explores the ways Hollywood filmmakers and television producers tried to reformulate stock southern characters in light of rapidly changing social relations... A fascinating and compelling cultural history." -- American Studies.
606   $aRacism in motion pictures
606   $aAfrican Americans in motion pictures
606   $aAppalachians (People) in motion pictures
607   $aSouthern States$xIn motion pictures
615  0$aRacism in motion pictures.
615  0$aAfrican Americans in motion pictures.
615  0$aAppalachians (People) in motion pictures.
676   $a791.43/6275
700   $aGraham$b Allison$01662828
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910827243403321
996   $aFraming the South$94019755
997   $aUNINA