LEADER 01060nam0-2200337 --450 001 9910629801403321 005 20231116142316.0 010 $a978-88-11-74080-3 100 $a20221205d2008----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $aMeritocrazia$equattro proposte concrete per valorizzare il talento e rendere il nostro paese pił ricco e pił giusto$fRoger Abravanel$gprefazione di Francesco Giavazzi 210 $aMilano$cGarzanti$d2008 215 $a377 p.$cTabelle, grafici$d22 cm 225 1 $aSaggi 610 0 $aMerito$aAspetti socioculturali 610 0 $aLavoro$aAspetti socio-culturali 676 $a370.154$v22$zita 676 $a306.36$v23$zita 700 1$aAbravanel,$bRoger$0438178 702 1$aGiavazzi,$bFrancesco 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910629801403321 952 $aFONDO ROSSI 1562$bROSSI 1604$fFARBC 952 $aBON / ABR 1$b10780$fBFS 959 $aFARBC 959 $aBFS 996 $aMeritocrazia$969033 997 $aUNINA LEADER 03677nam 2200577 450 001 9910827236003321 005 20230607231508.0 010 $a0-231-85002-6 035 $a(CKB)2670000000390918 035 $a(EBL)909592 035 $a(OCoLC)818857179 035 $a(SSID)ssj0001416226 035 $a(PQKBManifestationID)11774423 035 $a(PQKBTitleCode)TC0001416226 035 $a(PQKBWorkID)11353730 035 $a(PQKB)10806009 035 $a(MiAaPQ)EBC909592 035 $a(Au-PeEL)EBL909592 035 $a(CaPaEBR)ebr10988784 035 $a(CaONFJC)MIL684542 035 $a(EXLCZ)992670000000390918 100 $a20141128h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aUnderground U.S.A. $efilmmaking beyond the Hollywood canon /$fedited by Xavier Mendik & Steven Jay Schneider 210 1$aNew York, New York :$cColumbia University Press,$d2002. 210 4$d©2002 215 $a1 online resource (257 pages) 225 1 $aAlterImage 300 $aIncludes index. 311 $a0-231-16279-0 327 $aContents; Acknowledgements; Notes on Contributors; Foreword; Introduction; 1. 'No Worse Than You Were Before': Theory, Economy and Power in Abel Ferrara's 'The Addiction'; 2. Radley Metzger's 'Elegant Arousal': Taste, Aesthetic Distinction and Sexploitation; 3. Curtis Harrington and the Underground Roots of the Modern Horror Film ; 4. 'Special Effects' in the Cutting Room; 5. Real(ist) Horror: From Execution Videos to Snuff Films; 6. A Report on Bruce Conner's 'Report'; 7. Voyeurism, Sadism and Transgression: Screen Notes and Observations on Warhol's 'Blow Job' and 'I, a Man' 327 $a8. 'You Bled My Mother, You Bled My Father, But You Won't Bleed Me': The Underground Trio of Melvin Van Peebles9. Doris Wishman Meets the Avant-Garde; 10. Full Throttle on the Highway to Hell: Mavericks, Machismo and Mayhem in the American Biker Movie; 11. The Ideal Cinema of Harry Smith; 12. What is the Neo-Underground and What Isn't: A First Consideration of Harmony Korine; 13. Underground America 1999; 14. Phantom Menace: Killer Fans, Consumer Activism and Digital Filmmakers; 15. Film Co-Ops: Old Soldiers from the Sixties Still Standing in Battle Against Hollywood Commercialism 327 $a16. 'Gouts of Blood': The Colourful Underground Universe of Herschell Gordon Lewis17. Theory of Xenomorphosis; 18. Visions of New York: Films from the 1960s Underground; 19. A Tasteless Art: Waters, Kaufman and the Pursuit of 'Pure' Gross-Out; Notes; Index 330 $aWhether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as ""cult"" and ""exploitation"" or ""alternative"" and ""independent,"" the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the tradition 410 0$aAlterImage. 606 $aExperimental films$zUnited States$xHistory and criticism 615 0$aExperimental films$xHistory and criticism. 676 $a791.43611 702 $aMendik$b Xavier 702 $aSchneider$b Steven Jay 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827236003321 996 $aUnderground U.S.A$93964084 997 $aUNINA