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101 0 $aeng
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181   $ctxt
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200 10$aCarl Theodor Dreyer's Gertrud$b[electronic resource] $ethe moving word /$fJames Schamus
205   $a1st ed.
210   $aSeattle $cUniversity of Washington Press$dc2008
215   $a1 online resource (128 p.) 
300   $a"A McLellan book."
311   $a0-295-98854-1 
320   $aIncludes bibliographical references (p. [105]-109) and index.
327   $aIntro -- Contents -- List of illustrations -- Acknowledgments -- Why a book about Gertrud? -- If Gertrud is such a great failure, how is it so great? -- What does the "Real" have to do with Gertrud's "talkiness"? -- Why was Dreyer so fascinated with the "real" Gertrud? -- Why can't images and words (and men and women) stay married in Gertrud? -- Why are Dreyer's images, when they "quote," so obscene? -- So what, after all, is the tapestry quoting? -- Is Gertrud an ekphrastic film? -- At last, here's Dreyer's probable source-but does it matter that we found it? -- Is Dreyer quoting Botticelli? -- What is Dreyer teaching us about the history of perspective, and how is Gertrud so interesting a contributor to this topic? -- What does perspective have to do with free will? -- How is Gertrud a kind of remake of The Passion of Joan of Arc? -- How did the Virgin Mary really get pregnant (and is that why Gertrud is childless)? -- Why are Joan and Gertrud so "hysterical"? -- How does the struggle between Dreyer's words and images open us up to the Real? -- Credits -- Cast -- Bibliography -- Index.
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996   $aCarl Theodor Dreyer's Gertrud$94056818
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