LEADER 02272nam 2200613 a 450 001 9910827052503321 005 20240416095807.0 010 $a1-61277-487-3 010 $a0-585-16105-4 035 $a(CKB)111004365681388 035 $a(OCoLC)44956919 035 $a(CaPaEBR)ebrary10613444 035 $a(SSID)ssj0000234070 035 $a(PQKBManifestationID)12050835 035 $a(PQKBTitleCode)TC0000234070 035 $a(PQKBWorkID)10234238 035 $a(PQKB)10285761 035 $a(MiAaPQ)EBC3119446 035 $a(Au-PeEL)EBL3119446 035 $a(CaPaEBR)ebr10613444 035 $a(OCoLC)922969092 035 $a(EXLCZ)99111004365681388 100 $a19950811d1996 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRecording the classics $emaestros, music, and technology /$fJames Badal 205 $a1st ed. 210 $aKent, Ohio $cKent State University Press$dc1996 215 $a1 online resource (203 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-87338-542-X 320 $aIncludes bibliographical references (p. 185-186). 327 $aCover -- Copyright -- Contents -- Preface -- Author's Note -- Introduction -- Lorin Maazel -- Colin Davis -- Kurt Masur -- Antal Doráti -- Erich Leinsdorf -- Christoph von Dohnányi -- Simon Rattle -- Charles Dutoit -- Christopher Hogwood -- Vladimir Ashkenazy -- Riccardo Chailly -- Pierre Boulez -- Andrew Davis -- Erich Kunzel -- Leonard Slatkin -- Neeme Järvi -- Bibliography. 606 $aConductors (Music)$vInterviews 606 $aPerformance practice (Music)$xHistory$y20th century 606 $aSound recordings$xSocial aspects 606 $aSound recording industry 615 0$aConductors (Music) 615 0$aPerformance practice (Music)$xHistory 615 0$aSound recordings$xSocial aspects. 615 0$aSound recording industry. 676 $a781.49 700 $aBadal$b James Jessen$f1943-$01597550 701 $aBadal$b James Jessen$f1943-$01597550 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827052503321 996 $aRecording the classics$94022777 997 $aUNINA