LEADER 03538nam 22006492 450 001 9910827033203321 005 20210206182547.0 010 $a1-282-63412-7 010 $a9786612634123 010 $a90-485-1114-3 024 7 $a10.1515/9789048511143 035 $a(CKB)2560000000011866 035 $a(EBL)542523 035 $a(OCoLC)645097274 035 $a(SSID)ssj0000399186 035 $a(PQKBManifestationID)12130131 035 $a(PQKBTitleCode)TC0000399186 035 $a(PQKBWorkID)10375171 035 $a(PQKB)10267155 035 $a(MiAaPQ)EBC542523 035 $a(UkCbUP)CR9789048511143 035 $a(Au-PeEL)EBL542523 035 $a(CaPaEBR)ebr10397484 035 $a(CaONFJC)MIL263412 035 $a(DE-B1597)571146 035 $a(DE-B1597)9789048511143 035 $a(OCoLC)1248759636 035 $a(EXLCZ)992560000000011866 100 $a20210106d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChina with a cut $eglobalisation, urban youth and popular music /$fJeroen de Kloet$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2010. 215 $a1 online resource (255 pages) $cdigital, PDF file(s) 225 1 $aIIAS publications series. Monographs ;$v3 300 $aTitle from publisher's bibliographic system (viewed on 29 Jan 2021). 311 0 $a90-8964-162-9 327 $aContents; List of Figures and Tables; Acknowledgements; Note on Romanisation and Publication History; Introduction: Global Longings with a Cut; 1. Hard Scenes; 2. Hyphenated Scenes; 3. Subaltern Sounds; 4. Musical Taste and Technologies of the Self; 5. Producing, Localising and Silencing Sounds; Conclusion: Paradoxical Performances; Notes; Chinese Glossary; Appendix I Interviews; Appendix II Factor Analysis of Singers; Appendix III Popularity of Singers and Bands; Bibliography; Index 330 $aIn the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China. China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet's impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power. 410 0$aIIAS publications series.$pMonographs ;$v3. 606 $aMusic$zChina$y20th century$xHistory and criticism 606 $aMusic audiences$zChina$xHistory$y20th century 606 $aMusic trade$zChina$xHistory$y20th century 615 0$aMusic$xHistory and criticism. 615 0$aMusic audiences$xHistory 615 0$aMusic trade$xHistory 676 $a780.95/09049 700 $aKloet$b Jeroen de.$0881540 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910827033203321 996 $aChina with a cut$94090088 997 $aUNINA