LEADER 03224nam1 22003731i 450 001 UON00043274 005 20231205102155.513 100 $a20020107g1913 |0itac50 ba 101 $ager 102 $aAT 105 $a|||| 1|||| 200 1 $aSammlung Eduard Glaser 210 $aWien$cAlfred Holder, Hermann Bohlaus$d1913- 215 $av.$d22 cm 410 1$1001UON00000465$12001 $aÖsterreichische Akademie der Wissenschaften. Philosophisch-Historische Klasse. Sitzungsberichte 463 1$1001UON00043275$12001 $aEduard Glasers reise nach Marib$fherausgegeben von Heinrich v. Muller und N. Rhodokanakis$1210 $aWien$cAlfred Holder$d1913$1215 $aVI, 214 p., 5 c. di tav.$d22 cm$v1 463 1$1001UON00043290$12001 $aSabaische inschriften aus verschiedenen fundorten 2. teil$fBrigitte Schaffer$1210 $aWien$cHermann Bohlaus$d1975$1215 $a24 p., 6 p. di tav.$d22 c$1300 $aVorgelegt in der Sitzung am 20. november 1974$v10 463 1$1001UON00043291$12001 $aUber die fruhe geschichte arabiens und das entstehen des sabaerreiches die geschichte von Saba' 1$f Hermann von Wissmann$1210 $aWien$cHermann Bohlaus$d1975$1215 $a112 p.$cill.$d24 c$1300 $aVorgelegt in der sitzung am 4 juni 1975$v13 463 1$1001UON00043277$12001 $aInschriften aus dem gebiet zwischen Marib und dem Gof$fvon Maria Hofner und J.M. Solà Solé$1210 $aWien$cHermann Bohlaus$d1961$1215 $a44 p., 25 p. di tav.$d22 c$1300 $aVorgelegt in der sitzung am 28.april 1961$v2 463 1$1001UON00043280$12001 $aInschriften aus Riyam$fJ.M. 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Setting the Scene: Grandiose Symphonics and the Trouble with Art --$t2. Pessimism, Ecstasy, and Distant Voices: Listening to Late-Romanticism --$t3. Sunsets, Sunrises, and Decadent Oceanics --$t4. Making the World Weep (Problems with Opera) --$t5. Late-Romanticism Meets Classical Music at the Movies --$t6. The Bitter Truth of Modernism: A Late-Romantic Story --$tNotes --$tIndex 330 $aWhy are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom (via work by composers such as Max Steiner, Erich Wolfgang Korngold, and their successors) bring late-romantic music to thousands of listeners who have never set foot in a concert hall. Reclaiming Late-Romantic Music sheds new light on these often unfairly disparaged works and explores the historical dimension of their continuing role in the contemporary sound world. 410 0$aErnest Bloch lectures. 606 $aMusic$y19th century$xHistory and criticism 606 $aMusic$xPhilosophy and aesthetics 610 $abloch. 610 $aclassical music. 610 $aclaude debussy. 610 $acontemporary music. 610 $acontinued influence. 610 $aearly 20th century music. 610 $aearly modern period. 610 $aenglish composer. 610 $aernest bloch lectures series. 610 $afilm music idiom. 610 $afinnish composer. 610 $afrederick delius. 610 $afrench composer. 610 $agiacomo puccini. 610 $agustav mahler. 610 $aitalian opera. 610 $ajohan julius christian sibelius. 610 $alate 19th century music. 610 $alate romantic music. 610 $amass culture. 610 $amodernism. 610 $amodernity. 610 $amusic. 610 $aopera composer. 610 $aopera music. 610 $aromantic composers. 610 $aromantic period. 610 $asecond world war. 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.9/034 700 $aFranklin$b Peter$0785130 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910827016503321 996 $aReclaiming late-romantic music$94076433 997 $aUNINA