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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aPlato and the moving image /$fedited by Shai Biderman, Michael Weinman
210  1$aLeiden ;$aBoston :$cBrill,$d2019.
215   $a1 online resource (276 pages)
225 0 $aValue inquiry book series ;$v332
225 0 $aPhilosophy of film
311   $a90-04-39810-4 
320   $aIncludes bibliographical references and index.
327   $tFront Matter -- $tCopyright Page -- $tAcknowledgements -- $tIllustrations -- $tNotes on Contributors -- $tIntroduction /$rShai Biderman and Michael Weinman -- $tFrom Plato to the Moving Image: Reorienting Film-Philosophy -- $tAccounting for Images in the Sophist /$rAbraham Jacob Greenstine -- $tPseudos, Kalos and Eik?s Mythos in Plato and Film /$rDanielle A. Layne and Erik W. Schmidt -- $tDead Ringers: Plato and Turning the Camera Back /$rTimothy Secret -- $tThe Cinematic Image as Platonic Simulacrum /$rJorge Tomas Garcia -- $tThe Myth of Er as Rationalizing Recording Device /$rMichael Weinman -- $tFrom the Moving Image to Plato: Reorienting Plato Studies -- $tLearning to Notice: Light and Shadow, from Chauvet Cave to Plato?s Cave and Beyond /$rPaul A. Kottman -- $tPhaedo: a Ghost Story /$rDavid N. McNeill -- $tFascism Re-performed: Benjaminian Mimesis, Platonic Methexis and Bertolucci?s The Conformist /$rAdrian Switzer -- $tEntranced by the Spectacle of Truth: Wonder and Ascent in Plato and Terrence Malick?s Knight of Cups and To the Wonder /$rDavid H. Calhoun -- $tPlato, Pleonexia and Environmental Documentaries /$rMichael Forest -- $tTruth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ?Platonism? in Epistemology and Aesthetics /$rShai Biderman -- $tBack Matter -- $tIndex.
330   $aThis book shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato?s dialogues, and, conversely, why Plato studies stands to benefit from a consideration of recent debates in the philosophy of film. Contributions range from a reading of Phaedo as a ghost story to thinking about climate change documentaries through Plato?s account of pleonexia . They suggest how philosophical aesthetics can be reoriented by attending anew to Plato?s deployment of images, particularly images that move. They also show how Plato?s deployment of images is integral to his practice as a literary artist. Contributors are Shai Biderman, David Calhoun, Michael Forest, Jorge Tomas Garcia, Abraham Jacob Greenstine, Paul A. Kottman, Danielle A. Layne, David McNeill, Erik W. Schmidt, Timothy Secret, Adrian Switzer, and Michael Weinman.
410  0$aValue Inquiry Book Series$v332.
606   $aMotion pictures$xPhilosophy
615  0$aMotion pictures$xPhilosophy.
676   $a791.4301
702   $aBiderman$b Shai
702   $aWeinman$b Michael
801  0$bNL-LeKB
801  1$bNL-LeKB
906   $aBOOK
912   $a9910826977103321
996   $aPlato and the moving image$94125187
997   $aUNINA