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100   $a20200424h20112011  fg             0
101 0 $aeng
135   $aurn|#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aFunky Nassau $eRoots, Routes, and Representation in Bahamian Popular Music /$fTimothy Rommen
210  1$aBerkeley, CA :$cUniversity of California Press,$d[2011]
210  4$dİ2011
215   $a1 online resource (332 p.)
225 0 $aMusic of the African Diaspora ;$v15
300   $aDescription based upon print version of record.
311 0 $a0-520-26568-8 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tPreface --$tAcknowledgments --$tMap of the Bahamas --$t1. Nassau's Gone Funky: Sounding Some Themes in Bahamian Music --$t2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape --$t3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay --$t4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation --$t5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony --$t6. "Back to the Island": Travels in Paradox-Creating the Future-Past --$tEpilogue --$tNotes --$tBibliography --$tIndex
330   $aThis book examines the role music has played in the formation of the political and national identity of the Bahamas. Timothy Rommen analyzes Bahamian musical life as it has been influenced and shaped by the islands' location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early twenty-first centuries, in particular rake-n-scrape and Junkanoo, Rommen finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, Funky Nassau illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence.
410  0$aMusic of the African Diaspora
606   $aPopular music - Bahamas - History and criticism
606   $aPopular music -- Bahamas -- History and criticism
606   $aPopular music$xHistory and criticism$zBahamas
610   $aafro bahamian.
610   $abaha men.
610   $abahamas.
610   $abahamian culture.
610   $abahamian musicians.
610   $abay street.
610   $abilby.
610   $ablind blake.
610   $acalypso.
610   $acaribbean.
610   $acarnival.
610   $acolonialism.
610   $acolony.
610   $aethnomusicology.
610   $aformer colony.
610   $afreedom.
610   $ahistory.
610   $aindependence.
610   $aislands.
610   $ajunkanoo.
610   $amusic.
610   $amusicians.
610   $anational identity.
610   $anonfiction.
610   $apopular music.
610   $apostcolonial.
610   $arake n scrape.
610   $arebellion.
610   $arepublic.
610   $arevolution.
610   $atourism.
610   $atropical.
615  4$aPopular music - Bahamas - History and criticism.
615  4$aPopular music -- Bahamas -- History and criticism.
615  0$aPopular music$xHistory and criticism
676   $a781.64097296
700   $aRommen$b Timothy$4aut$4http://id.loc.gov/vocabulary/relators/aut$01623922
801  0$bDE-B1597
801  1$bDE-B1597
906   $aBOOK
912   $a9910826955403321
996   $aFunky Nassau$93958606
997   $aUNINA