LEADER 03370oam 2200673Ia 450 001 9910826901103321 005 20231120191702.0 010 $a1-283-03925-7 010 $a9786613039255 010 $a90-04-19023-6 024 7 $a10.1163/ej.9789004184909.i-470 035 $a(CKB)2670000000080972 035 $a(EBL)682290 035 $a(OCoLC)714568788 035 $a(SSID)ssj0000469900 035 $a(PQKBManifestationID)11288846 035 $a(PQKBTitleCode)TC0000469900 035 $a(PQKBWorkID)10531709 035 $a(PQKB)10230369 035 $a(MiAaPQ)EBC682290 035 $a(nllekb)BRILL9789004190238 035 $a(Au-PeEL)EBL682290 035 $a(CaPaEBR)ebr10455182 035 $a(CaONFJC)MIL303925 035 $a(PPN)170414280 035 $a(EXLCZ)992670000000080972 100 $a20110113d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe heavenly court $eDaoist temple painting in China, 1200-1400 /$fLennert Gesterkamp 210 1$aLeiden ;$aBoston :$cBrill,$d2011. 215 $a1 online resource (xxiii, 380 pages, 96 unnumbered pages of plates) $cillustrations (some color) 225 1 $aSinica Leidensia,$x0169-9563 300 $aDescription based upon print version of record. 311 0 $a90-04-18490-2 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rL. Gesterkamp --$tIntroduction /$rL. Gesterkamp --$t1. History And Development /$rL. Gesterkamp --$t2. Iconography /$rL. Gesterkamp --$t3. Ritual Foundations /$rL. Gesterkamp --$t4. Mural Production /$rL. Gesterkamp --$t5. Personalisation /$rL. Gesterkamp --$tConclusion /$rL. Gesterkamp --$tTables /$rL. Gesterkamp --$tBibliography /$rL. Gesterkamp --$tIndex /$rL. Gesterkamp --$tPlates /$rL. Gesterkamp --$tFigures /$rL. Gesterkamp --$tDrawings /$rL. Gesterkamp. 330 $aOne of the most magnificent and enduring themes in Chinese painting history can be found depicted in Daoist temples from the local village up to the very capital, viz., the paintings of the Heavenly Court (chaoyuan tu). Surprisingly, its images have remained largely unstudied in Western scholarship. Drawing on a comparative study of four complete sets of wall paintings dating back to the thirteenth and fourteenth centuries (the oldest examples), and their related images, painting criticism, stele inscriptions, and Daoist ritual manuals, the author offers the first comprehensive study of the historical development, iconography, ritual context, methods of mural design, and the personalisations made by patrons of the four Heavenly Court paintings. 410 0$aSinica Leidensia ;$v96. 606 $aTaoist mural painting and decoration$zChina 606 $aMural painting and decoration, Chinese 606 $aTaoist gods in art 606 $aRitual in art 615 0$aTaoist mural painting and decoration 615 0$aMural painting and decoration, Chinese. 615 0$aTaoist gods in art. 615 0$aRitual in art. 676 $a755/.995140951 700 $aGesterkamp$b Lennert$01678024 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826901103321 996 $aThe heavenly court$94045369 997 $aUNINA