LEADER 04961oam 2200445I 450 001 9910826878003321 005 20210723043707.0 010 $a1-138-67998-4 010 $a1-317-19157-9 010 $a1-317-19158-7 024 7 $a10.4324/9781315563596 035 $a(CKB)3790000000538590 035 $a(MiAaPQ)EBC5178425 035 $a(OCoLC)1013991687 035 $a(EXLCZ)993790000000538590 100 $a20180706d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aContemporary choreography $ea critical reader /$fedited by Jo Butterworth and Liesbeth Wildschut 205 $aSecond edition. 210 1$aMilton Park, Abingdon, Oxon ;$aNew York, NY :$cRoutledge,$d2018. 215 $a1 online resource (573 pages) 300 $aIncludes index. 311 $a1-315-56359-2 311 $a1-138-67997-6 327 $tchapter General introduction: studying contemporary choreography /$rJO BUTTERWORTH --$tchapter Section introduction --$tchapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research /$rANNA PAKES --$tchapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in ?dance? /$rSUSAN MELROSE --$tchapter 3 ?Throwing like a girl?? Gender in a transnational world /$rSUSAN LEIGH FOSTER --$tchapter 4 Choreography that poses problems /$rBOJANA CVEJIC´ --$tchapter 5 Choreography as research: iteration, object, context /$rBEN SPATZ --$tchapter Section introduction --$tchapter 6 Too many cooks? A framework for dance making and devising /$rJO BUTTERWORTH --$tchapter 7 Facilitating choreographic process /$rLARRY LAVENDER --$tchapter 8 Velvet Petal: getting lost /$rFLEUR DARKIN --$tchapter 9 Risk-taking and group dance improvisation /$rJOAO DA SILVA --$tchapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process /$rJENNY ROCHE --$tchapter 11 Jonathan Burrows? Postdance Conference keynote address, Stockholm 2015 /$rJONATHAN BURROWS --$tchapter Intervention /$rPEGGY OLISLAEGERS --$tchapter Section introduction --$tchapter 12 Dance dramaturgical agency /$rPIL HANSEN --$tchapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes /$rKONSTANTINA GEORGELOU --$tchapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography --$tchapter Section introduction --$tchapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community /$rSARA HOUSTON --$tchapter 16 Choreographic approaches in the community context /$rDIANE AMANS --$tchapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share /$rSILVIA SOTER --$tchapter 18 Experiencing space: some implications for site-specific dance performance /$rVICTORIA HUNTER --$tchapter 19 Whispering Birds: site-specific dance, affect and emotion /$rKAREN N. BARBOUR --$tchapter Section introduction --$tchapter 20 Principles of African choreography: some perspectives from Ghana /$rFRANCIS NII-YARTEY --$tchapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world /$rSANDRA NOETH AND SAMAR HADDAD KING --$tchapter 22 Beyond the intercultural to the accented body: an Australian perspective /$rCHERYL STOCK --$tchapter 23 Minority visibility and hip hop choreography: France 2015 /$rFELICIA MCCARREN --$tchapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures /$rGUY COOLS --$tchapter 25 Akram Khan on the politics of choreographing touch /$rROYONA MITRA --$tchapter Section introduction --$tchapter 26 In search of Asian modernity: Cloud Gate Dance Theatre?s body aesthetics in the era of globalisation /$rYA-PING CHEN --$tchapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart?s choreography /$rJEROEN FABIUS --$tchapter 28 Hi, who are you? On choreography and the aged dancer /$rEFVA LILJA --$tchapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company /$rSHO SHIBATA --$tchapter Section introduction --$tchapter 30 Choreographic performance systems /$rJOHANNES BIRRINGER --$tchapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance /$rSITA POPAT --$tchapter 32 How does motion capture mediate dance? /$rLAURA KARREMAN --$tchapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice /$rSOPHY SMITH. 606 $aChoreography 615 0$aChoreography. 676 $a792.8/2 702 $aButterworth$b Jo 702 $aWildschut$b Liesbeth$f1952- 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910826878003321 996 $aContemporary choreography$94077628 997 $aUNINA