LEADER 03751nam 2200601 a 450 001 9910826871803321 005 20200520144314.0 010 $a0-292-79761-3 024 7 $a10.7560/705197 035 $a(CKB)1000000000453943 035 $a(OCoLC)297226461 035 $a(CaPaEBR)ebrary10190652 035 $a(SSID)ssj0000170269 035 $a(PQKBManifestationID)11161716 035 $a(PQKBTitleCode)TC0000170269 035 $a(PQKBWorkID)10234999 035 $a(PQKB)10455130 035 $a(MiAaPQ)EBC3443070 035 $a(MdBmJHUP)muse2099 035 $a(Au-PeEL)EBL3443070 035 $a(CaPaEBR)ebr10190652 035 $a(DE-B1597)587544 035 $a(DE-B1597)9780292797611 035 $a(EXLCZ)991000000000453943 100 $a20021125d2003 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHenry Bumstead and the world of Hollywood art direction /$fAndrew Horton 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2003 215 $a1 online resource (206 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-70519-0 320 $aFilmography: p. [175]-180. 320 $aIncludes bibliographical references (p. [181]-184) and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1 The Paramount Years -- $t2 The Hitchcock Films -- $t3 Universal Studios, Robert Mulligan, and To Kill a Mockingbird -- $t4 Working with George Roy Hill -- $t5 The Eastwood Films -- $t6 Final Takes on a Handful of Favorites -- $tToward a Conclusion -- $tNotes -- $tFilmography -- $tSelected Bibliography -- $tIndex 330 $aFrom a hotel in Marrakech in The Man Who Knew Too Much, to small-town Alabama in To Kill a Mockingbird, to Mission Control in Space Cowboys, creating a fictional, yet wholly believable world in which to film a movie has been the passion and life's work of Henry Bumstead, one of Hollywood's most celebrated production designers. In a career that has spanned nearly seventy years, Bumstead has worked on more than one hundred movies and television films. His many honors include Academy Awards for Art Direction for To Kill a Mockingbird and The Sting, as well as nominations for Vertigo and The Unforgiven. This popularly written and extensively illustrated book tells the intertwining stories of Henry Bumstead's career and the evolution of Hollywood art direction. Andrew Horton combines his analysis of Bumstead's design work with wide-ranging interviews in which Bumstead talks about working with top directors, including Alfred Hitchcock, George Roy Hill, Robert Mulligan, and Clint Eastwood, as well as such stars as Paul Newman, Robert Redford, Doris Day, Jimmy Stewart, Sidney Poitier, Bill Cosby, Jerry Lewis, and James Cagney. Numerous production drawings, storyboards, and film stills illustrate how Bumstead's designs translated to film. This portrait of Bumstead's career underscores an art director's crucial role in shaping the look of a film and also tracks the changes in production design from the studio era through location shooting to today's use of high-tech special effects. 606 $aMotion picture art directors$zUnited States$vInterviews 606 $aMotion pictures$xArt direction$zUnited States$xHistory 615 0$aMotion picture art directors 615 0$aMotion pictures$xArt direction$xHistory. 676 $a791.43/025/092 700 $aHorton$b Andrew$0564671 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826871803321 996 $aHenry Bumstead and the world of Hollywood art direction$94077569 997 $aUNINA