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010   $a9786612627156
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035   $a(DE-B1597)9781845458072
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100   $a20091117d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aJerzy Skolimowski$b[electronic resource] $ethe cinema of a nonconformist /$fEwa Mazierska
210   $aNew York $cBerghahn Books$d2010
215   $a1 online resource (222 p.)
300   $a"Berghahn on film"--Cover.
311   $a1-78238-055-8 
311   $a1-84545-677-7 
320   $aIncludes bibliographical references (p. [197]-203) and index.
320   $aIncludes filmography.
327   $aIntroduction : outsider, nonconformist, a man in-between. From participant to observer : autobiographical discourse in the films of Jerzy Skolimowski -- About a boy : characters, narratives and ideologies in Skolimowski's films -- Between realism and non-realism : the artistic context of Skolimowski's films and their main visual motifs -- In the land of Hamlets and Don Quixotes : Skolimowski's encounters with literature -- 'I don't like obvious film scores' : music and other sounds in Skolimowski's films -- Conclusions.
330   $a Jerzy Skolimowski is one of the most original Polish directors and one of only a handful who has gained genuine recognition abroad. This is the first monograph, written in English, to be devoted to his cinema. It covers Skolimowski's career from his early successes in Poland, such as Identification Marks: None and Barrier, through his e?migre? films, Deep End, Moonlighting and The Lightship, to his return to Poland where, in 2008, he made the internationally acclaimed Four Nights with Anna.  Ewa Mazierska addresses the main features of Skolimowski's films, suc
606   $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh
615  7$aPERFORMING ARTS / Film & Video / History & Criticism.
676   $a791.430233092
700   $aMazierska$b Ewa$0978088
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910826857403321
996   $aJerzy Skolimowski$93926866
997   $aUNINA