LEADER 04300nam 2200613Ia 450 001 9910826842503321 005 20200520144314.0 010 $a1-283-63482-1 010 $a90-04-23433-0 024 7 $a10.1163/9789004234338 035 $a(CKB)2670000000263238 035 $a(EBL)1036958 035 $a(OCoLC)813222816 035 $a(SSID)ssj0000758716 035 $a(PQKBManifestationID)11435013 035 $a(PQKBTitleCode)TC0000758716 035 $a(PQKBWorkID)10781160 035 $a(PQKB)10325624 035 $a(MiAaPQ)EBC1036958 035 $a(nllekb)BRILL9789004234338 035 $a(Au-PeEL)EBL1036958 035 $a(CaPaEBR)ebr10608103 035 $a(CaONFJC)MIL394727 035 $a(PPN)174395809 035 $a(EXLCZ)992670000000263238 100 $a20120719d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aTranslations of the sublime$b[electronic resource] $ethe early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre /$fedited by Caroline van Eck ...[et. al.] 210 $aBoston $cBrill$d2012 215 $a1 online resource (292 p.) 225 0 $aIntersections ;$v24 300 $aDescription based upon print version of record. 311 $a90-04-22955-8 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material --$tIntroduction /$rCaroline van Eck , Stijn Bussels and Maarten Delbeke --$tThe Meaning of Apostrophè in Longinus?s On the Sublime (16, 2) /$rFrancis Goyet --$tLonginus and Poetic Imagination in Late Renaissance Literary Theory /$rEugenio Refini --$tThe Sublime and the Bible: Longinus, Protestant Dogmatics, and the ?Sublime Style? /$rDietmar Till --$tA l?aune du sublime : autour du « Parallèle de Corneille et Racine » (1688) de La Bruyère /$rPaul J. Smith --$tOrrore, terrore, timore. Vasari und das Erhabene /$rHana Gründler --$tElevated Twins and the Vicious Sublime. Gianlorenzo Bernini and Louis XIV /$rMaarten Delbeke --$t?One never sees monsters without experiencing emotion?. Le merveilleux and the Sublime in Theories on French Performing Arts (1650?1750) /$rStijn Bussels and Bram Van Oostveldt --$tThe Demosthenes of Painting. Salvator Rosa and the 17th century Sublime /$rHelen Langdon --$tThe Longinian Sublime, Effect and Affect in ?Baroque? British Visual Culture /$rLydia Hamlett --$tFiguring the Sublime in English Church Architecture 1640?1730 /$rCaroline van Eck --$tParadoxical Encounters. Eighteenth-Century Architectural Experiences and the Sublime /$rSigrid de Jong --$tIndex Nominum. 330 $aContrary to widely held assumptions, the early modern revival of ps-Longinus' On the Sublime did not begin with the adaptation published by Boileau in 1674; it was not connected solely with the Greek editions that began to appear from 1554; nor was its impact limited to rhetoric and literature. Manuscript copies began to circulate in Quattrocento Italy, but very few have been studied. Neither have the ways the sublime was used, in rhetoric and literature, but also in the arts, architecture and the theatre been studied in any systematic way. The present volume is a first attempt to chart the early modern translations of Peri hupsous , both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, but also in the figurative sense of its uses and transformations in the visual arts in the period from the first early modern editions of Longinus until its popularization by Boileau. Contributors include Francis Goyet, Hana Gründler, Lydia Hamlett, Sigrid de Jong, Helen Langdon, Bram Van Oostveldt, Eugenio Refini, Paul Smith, and Dietmar Till. 410 0$aIntersections$v24. 606 $aSublime, The, in art 606 $aArts, Modern$xThemes, motives 615 0$aSublime, The, in art. 615 0$aArts, Modern$xThemes, motives. 676 $a808 701 $aEck$b Caroline van$0698250 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826842503321 996 $aTranslations of the sublime$94021883 997 $aUNINA