LEADER 00782nam0-22002771i-450- 001 990004638270403321 005 20060222104649.0 035 $a000463827 035 $aFED01000463827 035 $a(Aleph)000463827FED01 035 $a000463827 100 $a19990604d1994----km-y0itay50------ba 101 0 $aita 105 $af-------00--- 200 1 $aDello scrivere in cifra$fLeon Battista Alberti 210 $aTorino$cGalimberti$dc1994. 215 $aXXII, 46 p.$ctav.$d34 cm 676 $a652.8$v21$zita 700 1$aAlberti,$bLeon Battista$f<1404-1472>$035951 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004638270403321 952 $a652.8 ALB 1$bBibl.18923$fFLFBC 959 $aFLFBC 996 $aDello scrivere in cifra$9551923 997 $aUNINA LEADER 03915nam 2200733 450 001 9910826832403321 005 20230111204602.0 010 $a0-8232-5748-7 010 $a0-8232-6155-7 010 $a0-8232-5751-7 010 $a0-8232-5749-5 024 7 $a10.1515/9780823257515 035 $a(CKB)3710000000323690 035 $a(EBL)3239958 035 $a(StDuBDS)EDZ0001193197 035 $a(MiAaPQ)EBC3239958 035 $a(DE-B1597)555208 035 $a(DE-B1597)9780823257515 035 $a(OCoLC)900889133 035 $a(MdBmJHUP)muse58930 035 $a(MiAaPQ)EBC1961779 035 $a(Au-PeEL)EBL3239958 035 $a(CaPaEBR)ebr10998993 035 $a(CaONFJC)MIL727812 035 $a(OCoLC)923764345 035 $a(Au-PeEL)EBL1961779 035 $a(EXLCZ)993710000000323690 100 $a20150109h20152015 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFigures of a changing world $emetaphor and the emergence of modern culture /$fHarry Berger, Jr 205 $aFirst Edition 210 1$aNew York :$cFordham University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (174 p.) 300 $aIncludes index. 311 $a1-322-96530-7 311 $a0-8232-5747-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tcontents --$tacknowledgments --$tone. Two Figures: (1) Metaphor --$ttwo. Two Figures: (2) Metonymy --$tthree. Making Metaphors, Seeing Metonymies --$tfour. Metonymy, Metaphor, and Perception: De Man and Nietzsche --$tfive. Metaphor, Metonymy, and Redundancy --$tsix. The Semiotics of Metaphor and Metonymy: Umberto Eco --$tseven. Frost and Roses: The Disenchantment of a Reluctant Modernist --$teight. Metaphor and the Anxiety of Fictiveness: St. Augustine --$tnine. Metaphor and Metonymy in the Middle Ages: Aquinas and Dante --$tten. Sacramental Anxiety in the Late Middle Ages: Hugh of St. Victor, the Abbot Suger, and Dante --$televen. Ulysses as Modernist: From Metonymy to Metaphor in Shakespeare?s Troilus and Cressida --$tnotes --$tindex 330 $aFigures of a Changing World offers a dramatic new account of cultural change, an account based on the distinction between two familiar rhetorical figures, metonymy and metaphor. The book treats metonymy as the basic organizing trope of traditional culture and metaphor as the basic organizing trope of modern culture. On the one hand, metonymies present themselves as analogies that articulate or reaffirm preexisting states of affairs. They are guarantors of facticity, a term that can be translated or defined as fact-like-ness. On the other hand, metaphors challenge the similarity they claim to establish, in order to feature departures from preexisting states of affairs. On the basis of this distinction, the author argues that metaphor and metonymy can be used as instruments both for the large-scale interpretation of tensions in cultural change and for the micro-interpretation of tensions within particular texts. In addressing the functioning of the two terms, the author draws upon and critiques the work of Friedrich Nietzsche, Roman Jakobson, Christian Metz, Paul Ricoeur, Umberto Eco, Edmund Leach, and Paul de Man. 606 $aEvolution 606 $aChange 610 $aConnotation. 610 $aDe-fictionalizing. 610 $aDenotation. 610 $aFictionalizing. 610 $aMetaphor. 610 $aMetonymy. 610 $aTraditional and Modern Attitudes. 615 0$aEvolution. 615 0$aChange. 676 $a116 700 $aBerger$b Harry$cJr.,$f1924-2021,$01272722 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826832403321 996 $aFigures of a changing world$93946159 997 $aUNINA