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200 14$aThe rhizomatic West $erepresenting the American West in a transnational, global, media age /$fNeil Campbell
205   $a1st ed.
210   $aLincoln $cUniversity of Nebraska Press$dc2008
215   $a1 online resource (383 pages) $cillustrations
225 1 $aPostwestern horizons
300   $aDescription based upon print version of record.
311 0 $a0-8032-1539-8 
320   $aIncludes bibliographical references (p. 325-377) and index.
327   $aContents; List of Illustrations; Acknowledgments; Introduction: Theorizing the Rhizomatic West; 1. Toward an Expanded Critical Regionalism: Contact and Interchange; 2. Feasts of Wire: Rube?n Martinez and the Transfrontera Contact Zone; 3. Welcome to Westworld: Sergio Leone's Once Upon a Time in the West; 4. ""The 'Western' in Quotes"": Generic Variations; 5. Dialogical Landscapes: ""Outsider"" Photography of the West; 6. Strata and Routes: Livnig on Reservation X; 7. Postwestern Generations? Douglas Coupland's ""Plastic Radiant Way""; Conclusion: On ""The Crystal Frontier""; Notes; Index
330   $aUsing Gilles Deleuze and Fe?lix Guattari's concept of the rhizome, Neil Campbell shows how the West (or west-ness) continually breaks away from a mainstream notion of American "rootedness" and renews and transforms itself in various cultural forms. A region long traversed by various transient peoples (from tribes and conquerors to immigrants, traders, and trappers), the West reflects a mythic quest for settlement, permanence, and synthesis-even notions of a national or global identity-at odds with its rootless history, culture, and nature.
410  0$aPostwestern horizons.
606   $aPlace (Philosophy) in art
606   $aIdentity (Philosophical concept) in art
606   $aArts, Modern$y20th century
607   $aWest (U.S.)$vIn art
615  0$aPlace (Philosophy) in art.
615  0$aIdentity (Philosophical concept) in art.
615  0$aArts, Modern
676   $a700/.45878
700   $aCampbell$b Neil$f1957-$0604968
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910826798703321
996   $aThe rhizomatic West$93957990
997   $aUNINA