LEADER 04303nam 22005055 450 001 9910826781303321 005 20230126223254.0 010 $a0-8147-2436-1 010 $a0-8147-8591-3 024 7 $a10.18574/9780814785911 035 $a(CKB)4340000000188591 035 $a(OCoLC)1005979181 035 $a(MdBmJHUP)muse65726 035 $a(StDuBDS)EDZ0001928885 035 $a(MiAaPQ)EBC4834256 035 $a(DE-B1597)547021 035 $a(DE-B1597)9780814785911 035 $a(EXLCZ)994340000000188591 100 $a20200608h20172017 fg 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDeath Makes the News $eHow the Media Censor and Display the Dead /$fJessica M. Fishman 210 1$aNew York, NY :$cNew York University Press,$d[2017] 210 4$dİ2017 215 $a1 online resource (pages cm) 300 $aPreviously issued in print: 2017. 311 0 $a0-8147-7075-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$t1. Introduction --$t2. Alarming Images --$t3. Alternative Images --$t4. Industry Access --$t5. Intentional Ambiguity --$t6. Layers of Resistance --$t7. Word versus Image --$t8. Pictures in the Popular and Patrician Press --$t9. Nationality and the ?Newsworthy? Image --$t10. Innocence and the ?Newsworthy? Image --$t11. Mass Tragedy and the ?Newsworthy? Image --$t12. The Fantastic Feats of a Few Photos --$t13. Victims Seeking Visibility --$t14. In the End --$tAppendix --$tNotes --$tIndex --$tAbout the Author 330 $aWinner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a ?fit? and ?unfit? image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them?even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed. 606 $aDeath$xPress coverage 606 $aJournalism$xSocial aspects 615 0$aDeath$xPress coverage. 615 0$aJournalism$xSocial aspects. 676 $a070.4/493069 700 $aFishman$b Jessica M.$4aut$4http://id.loc.gov/vocabulary/relators/aut$01686266 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910826781303321 996 $aDeath Makes the News$94058983 997 $aUNINA