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035   $a(OCoLC)767502420
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035   $a(MdBmJHUP)muse43161
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035   $a(OCoLC)979968530
035   $a(DE-B1597)9781400840458
035   $a(Au-PeEL)EBL802239
035   $a(CaPaEBR)ebr10514776
035   $a(CaONFJC)MIL333984
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100   $a20110502d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBanding together $ehow communities create genres in popular music /$fJennifer C. Lena
205   $aCourse Book
210   $aPrinceton $cPrinceton University Press$dc2012
215   $a1 online resource (257 pages)
300   $aDescription based upon print version of record.
311   $a0-691-16338-3 
311   $a0-691-15076-1 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter --$tContents --$tAcknowledgments --$tChapter 1. Music Genres --$tChapter 2. Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz --$tChapter 3. Music Trajectories --$tChapter 4. The Government-purposed Genre --$tChapter 5. On Classification Systems --$tNotes --$tReferences --$tIndex
330   $aWhy do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological, and aesthetic traits among contemporary genres? Do genres follow patterns in their development? Lena discovers four dominant forms--Avant-garde, Scene-based, Industry-based, and Traditionalist--and two dominant trajectories that describe how American pop music genres develop. Outside the United States there exists a fifth form: the Government-purposed genre, which she examines in the music of China, Serbia, Nigeria, and Chile. Offering a rare analysis of how music communities operate, she looks at the shared obstacles and opportunities creative people face and reveals the ways in which people collaborate around ideas, artworks, individuals, and organizations that support their work.
606   $aPopular music$xSocial aspects
606   $aPopular music genres
610   $aAmerican music.
610   $aAmerican pop music.
610   $aAmerican popular music.
610   $aChile.
610   $aChina.
610   $aNigeria.
610   $aSerbia.
610   $abebop jazz.
610   $abluegrass music.
610   $abluegrass.
610   $aclassification systems.
610   $acontemporary music.
610   $aevolution.
610   $agenre forms.
610   $agovernment-purposed genre.
610   $aindustry-based genres.
610   $amusic styles.
610   $amusical genres.
610   $amusical styles.
610   $amusical taste.
610   $apeer culture.
610   $apersonal taste.
610   $apolka.
610   $apopular music.
610   $apower.
610   $arap music.
610   $ascene-based genre.
610   $asocialization.
610   $atraditionalist.
615  0$aPopular music$xSocial aspects.
615  0$aPopular music genres.
676   $a781.64
700   $aLena$b Jennifer C$01663977
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910826654303321
996   $aBanding together$94021715
997   $aUNINA