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200 10$aDiscovering Gilgamesh $egeology, narrative and the historical sublime in Victorian culture /$fVybarr Cregan-Reid
210  1$aManchester, UK :$cManchester University Press,$d2015.
210  4$dİ2013
215   $a1 online resource ( xii, 238 pages) $cillustrations; digital file(s)
300   $aDescription based upon print version of record.
311   $a1-5261-0238-2 
311   $a0-7190-9051-2 
320   $aIncludes bibliographical references and index.
327   $aDISCOVERING GILGAMESH: GEOLOGY, NARRATIVE AND THE HISTORICAL SUBLIME IN VICTORIAN CULTURE; Half Title Page; Title Page ; Copyright; Dedication; Contents; List of figures; Acknowledgements; Part I: Gilgamesh; Introduction; 1. Discovering Gilgamesh; Part II: Narrative and the historical sublime; 2. Capturing time: the iconography of water in painting and photography; 3. Forgetting the past and the future: Macaulay, Carlyle, and the 'shoreless chaos' of history; 4. Present endings: rethinking closure in the Victorian novel; Part III: Geology, Gilgamesh, and the historical sublime
327   $a5. Conclusion: Gilgamesh and the resublimation of deep timeSelect bibliography; Index
330   $aDetails the discovery of The epic of Gilgamesh, and explores the broader tensions concerning history and time that it highlighted in Victorian culture
606   $aAssyro-Babylonian poetry$xHistory and criticism
606   $aLiterature and society$zGreat Britain$xHistory$y19th century
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606   $aHISTORY / Social History$2bisach
606   $aLiterary studies: c 1800 to c 1900$2thema
610   $aGeorge Smith.
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