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035   $a(OCoLC)748542908
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035   $a(schport)gibson_crkn/2009-12-01/2/402585
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100   $a19960927d1997      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aBody of vision $erepresentations of the body in recent film and poetry /$fR. Bruce Elder
205   $a1st ed.
210   $aWaterloo, Ont. $cWilfrid Laurier University Press$dc1997
215   $a1 online resource (409 p.)
300   $aIncludes index.
311   $a0-88920-276-1 
311   $a0-88920-328-8 
320   $aIncludes bibliographical references (p. 381-384) and index.
327   $tFront Matter --$tContents --$tWith Gratitude --$tAcknowledgments --$tIntroduction --$tThe Human Dilemma --$tNotes --$tBibliography --$tIndex
330   $aElder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognize and to convey primordial forms of experiences. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
606   $aHuman body in motion pictures
606   $aExperimental films$xHistory and criticism
606   $aHuman body in literature
615  0$aHuman body in motion pictures.
615  0$aExperimental films$xHistory and criticism.
615  0$aHuman body in literature.
676   $a791.43/65
700   $aElder$b Bruce$g(R. Bruce)$01083217
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910826576903321
996   $aBody of vision$93982170
997   $aUNINA