LEADER 04225nam 2200805 450 001 9910826568303321 005 20230613155345.0 010 $a1-5261-3315-6 024 7 $a10.7765/9781526133151 035 $a(CKB)4100000008209523 035 $a(MiAaPQ)EBC5824932 035 $a(OCoLC)1101173720 035 $a(MdBmJHUP)musev2_78392 035 $a(UkMaJRU)992979627124301631 035 $a(DE-B1597)659416 035 $a(DE-B1597)9781526133151 035 $a(EXLCZ)994100000008209523 100 $a20191127h20192019 |y| e 101 0 $aeng 135 $aur||#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFrench literature on screen /$fedited by Homer B. Pettey and R. Barton Palmer 210 1$aManchester, UK :$cManchester University Press,$d2019. 210 4$dİ2019 215 $a1 online resource (xii, 250 pages) $cillustrations; digital file(s) 311 $a1-5261-3316-4 311 $a1-78499-517-7 320 $aIncludes bibliographical references. 327 $aMachine generated contents note:$g1.$tIntroduction: screening French literature /$rR. Barton Palmer --$g2.$tThe spectacle of Monte Cristo /$rJennifer L. Jenkins --$g3.$tAdultery and adulteration in film versions of Flaubert's Madame Bovary /$rColin Davis --$g4.$tFor the first time on screen together: Madame Bovary and Les Miserables in 1934 /$rDudley Andrew --$g5.$tThe Americanization of Victor Hugo: Darryl F. Zanuck's Les Miserables (1935) /$rGuerric DeBona --$g6.$tFrom heterotopia to metatopia: staging Carmen's death /$rPhil Powrie --$g7.$tFrom the Recherche on film toward a Proustian cinema /$rSteven Ungar --$g8.$tOtto Preminger's Bonjour, Tristesse: a tale of three women, if not more /$rR. Barton Palmer --$g9.$tAdapting Pagnol and Provence /$rJeremy Strong --$g10.$tMaigret on screen: stardom and literary adaptation /$rGinette Vincendeau --$g11.$tThe making and remaking of Therese Desqueyroux: one novel, two films /$rSusan Hayward --$g12.$tElle (2016), rape, and adaptation /$rHomer B. Pettey. 330 8 $aThis collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian's Oh. (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France's literary representations in the history of global cinema. 606 $aFrench literature$xHistory and criticism 606 $aFrench literature$xFilm adaptations$xHistory and criticism 606 $aMotion pictures$zFrance$xHistory$y20th century 606 $aMotion pictures$zFrance$xHistory$y21st century 606 $aFilm Studies$2mup 606 $aFilm Theory & Criticism$2bicssc 606 $aCultural studies$2thema 607 $aFrance$2fast 608 $aFilm adaptations. 608 $aAufsatzsammlung. 608 $aCriticism, interpretation, etc. 608 $aFilm adaptations. 608 $aHistory. 610 $aAdaptation. 610 $aAmerican Film. 610 $aBritish Film. 610 $aFilm History. 610 $aFilm Studies. 610 $aFrench Film. 610 $aFrench Literature. 610 $aIndustry Studies. 610 $aNational Cinema. 610 $aSilent Film. 615 0$aFrench literature$xHistory and criticism. 615 0$aFrench literature$xFilm adaptations$xHistory and criticism. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 7$aFilm Studies 615 7$aFilm Theory & Criticism 615 7$aCultural studies 676 $a791.430944 702 $aPalmer$b R. Barton$f1946- 702 $aPettey$b Homer B. 801 2$bUkMaJRU 906 $aBOOK 912 $a9910826568303321 996 $aFrench literature on screen$94043814 997 $aUNINA