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100   $a20100212d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aIn praise of copying /$fMarcus Boon
210   $aCambridge, Mass. $cHarvard University Press$d2010
215   $a1 online resource (304 p.)
300   $aDescription based upon print version of record.
311   $a0-674-04783-4 
320   $aIncludes bibliographical references and index.
327   $t Frontmatter -- $tContents -- $tIntroduction -- $t1/ What Is a Copy? -- $t2/ Copia, or, The Abundant Style -- $t3/ Copying as Transformation -- $t4/ Copying as Deception -- $t5/ Montage -- $t6/ The Mass Production of Copies -- $t7/ Copying as Appropriation -- $tCoda -- $tNotes -- $tAcknowledgments -- $tIndex
330   $aGerman critic Walter Benjamin wrote some immensely influential words on the work of art in the age of mechanical reproduction. Luxury fashion houses would say something shorter and sharper and much more legally binding on the rip-off merchants who fake their products. Marcus Boon, a Canadian English professor with an accessible turn of phrase, takes us on an erudite voyage through the theme in a serious but engaging encounter with the ideas of thinkers as varied as Plato, Hegel, Orson Welles, Benjamin, Heidegger, Louis Vuitton, Takashi Murakami and many more, on topics as philosophically taxing and pop-culture-light as mimesis, Christianity, capitalism, authenticity, Uma Thurman's handbag and Disneyland.
606   $aCopying
606   $aPhilosophical anthropology
606   $aMahayana Buddhism$xDoctrines
615  0$aCopying.
615  0$aPhilosophical anthropology.
615  0$aMahayana Buddhism$xDoctrines.
676   $a153
700   $aBoon$b Marcus$0595986
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910826548603321
996   $aIn praise of copying$94092972
997   $aUNINA