LEADER 04695nam 2200577 a 450 001 9910826522703321 005 20230721012842.0 010 $a0-8173-8298-4 035 $a(CKB)2560000000079523 035 $a(EBL)835683 035 $a(OCoLC)772459659 035 $a(SSID)ssj0000641981 035 $a(PQKBManifestationID)11393686 035 $a(PQKBTitleCode)TC0000641981 035 $a(PQKBWorkID)10648145 035 $a(PQKB)11091983 035 $a(MiAaPQ)EBC835683 035 $a(Au-PeEL)EBL835683 035 $a(CaPaEBR)ebr10527728 035 $a(EXLCZ)992560000000079523 100 $a20120227d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aTheatre history studies$h2009, volume 29$b[electronic resource] /$fedited by Rhona Justice-Malloy 210 $aTuscaloosa, Ala. $cMid-America Theatre Conference and the University of Alabama Press$d2009 215 $a1 online resource (269 p.) 225 0 $aTheatre history studies ;$vv. 29 300 $aDescription based upon print version of record. 311 $a0-8173-5554-5 320 $aIncludes bibliographical references. 327 $aContents; List of Illustrations; An Uncommon Woman: An Interview with Wendy Wasserstein; Thresholds of Pain in Performance: Tormenting the Actor and Audience; Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife; A Historiography of Informed Imagination: A (Hi)Story Drawn from the Correspondence of Annie Russell and Faith Baldwin; The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage; The Final Straw: Producing James Purdy at the Trinity Square Rep 327 $aDisappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project"Can't Someone Find Him a Stimulant?" The Treatment of Prohibitionon the American Stage, 1920-1933; The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes; Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935; Book Reviews; Robert A. Schanke, ed., Angels in the American Theater: Patrons, Patronage, and Philanthropy 327 $aBarbara Ozieblo and Jerry Dickey, Susan Glaspell and Sophie Treadwell David Krasner, ed., Theatre in Theory, 1900-2000: An Anthology; Hazel Waters, Racism on the Victorian Stage: Representations of Slavery and the Black Character; Romeo Castellucci, Joe Kelleher, Nicholas Ridout, Claudia Castellucci, and Chiara Guidi, The Theatre of Soci?etas Raffaello Sanzio; Tice L. Miller, Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries; Paige Reynolds, Modernism, Drama, and the Audience for Irish Spectacle 327 $aRhonda Garelick, Electric Salome: Loie Fuller's Performance of Modernism Paul Fortunato, Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde; Zander Brietzke, American Drama in the Age of Film; William W. Demastes and Iris Smith Fischer, eds., Interrogating America through Theatre and Performance; John Patrick Diggins, Eugene O'Neill's America: Desire under Democracy; Harriet Hyman Alonso, Robert E. Sherwood: The Playwright in Peace and War; Jason Shaffer, Performing Patriotism: National Identity in the Colonial and Revolutionary American Theatre; Benjamin Harshav 327 $aBenjamin Harshav and Barbara Harshav, trans.,The Moscow Yiddish Theater: Art on Stage in the Time of Revolution Laurence Senelick, Historical Dictionary of Russian Theater; Esther Kim Lee, A History of Asian American Theatre; Judith Curtis, "Divine Thalie": The Career of Jeanne Quinault; Philip C. Kolin, ed., Contemporary African American Women Playwrights; Books Received; Contributors 330 $aTheatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The purpose of MATC is to unite people and organizations in their region with an interest in theatre and to promote the growth and development of all forms of theatre. 410 0$aTheatre History Studies 606 $aTheater$xHistory 615 0$aTheater$xHistory. 676 $a792.09 701 $aJustice-Malloy$b Rhona$01601304 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826522703321 996 $aTheatre history studies$93924851 997 $aUNINA