LEADER 03029nam 2200577 a 450 001 9910779053703321 005 20200520144314.0 010 $a1-283-95201-7 010 $a1-78042-774-3 035 $a(CKB)2550000000089293 035 $a(EBL)886955 035 $a(OCoLC)781540481 035 $a(SSID)ssj0000749586 035 $a(PQKBManifestationID)11425418 035 $a(PQKBTitleCode)TC0000749586 035 $a(PQKBWorkID)10725754 035 $a(PQKB)10359087 035 $a(MiAaPQ)EBC886955 035 $a(Au-PeEL)EBL886955 035 $a(CaPaEBR)ebr10532498 035 $a(CaONFJC)MIL426451 035 $a(PPN)197273254 035 $a(EXLCZ)992550000000089293 100 $a20120315d2012 uy 0 101 0 $afre 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aL'art byzantin$b[electronic resource] /$fCharles Bayet 210 $a[New York] $cParkstone International$d[2012] 215 $a1 online resource (200 p.) 225 1 $aCollection art of century 300 $aDescription based upon print version of record. 311 $a1-84484-625-3 320 $aIncludes bibliographical references and index. 327 $aSommaire; Introduction; I. Le Premier Art byzantin (306-843); A. La Naissance d'un style nouveau (306-527); B. L'Art sous Justinien et ses successeurs (527-726); 1. L'Architecture; 2. La Peinture, les mosai?ques, les manuscrits a? miniatures; 3. La Sculpture, l'orfe?vrerie; C. L'Art sous l'iconoclasme (726-843); II. La Renaissance de l'art byzantin (843-1204); A. L'Art sous la dynastie mace?donienne et comne?ne; 1. L'Architecture; 2. Les Mosai?ques, la peinture, les manuscrits a? miniatures; 3. La Sculpture, l'orfe?vrerie; B. Les Influences byzantines en Occident 327 $aIII. L'Art byzantin tardif (1204-1453)A. L'Art sous l'empire latin (1204-1261); B. L'Art de la dynastie des Pale?ologues (1261-1453); Conclusion; Chronologie; Carte de l'Empire byzantin; Glossaire; Bibliographie; Liste des illustrations 330 $aPendant plus d'un mille?naire, depuis sa cre?ation en 330 jusqu'a? sa chute en 1453, l'Empire byzantin fut le berceau d'une effervescence artistique que l'on commence seulement a? rede?couvrir. Riches de l'he?ritage des cultures romaine, orientale ou chre?tienne, les artistes byzantins e?labore?rent une tradition architecturale et picturale, empreinte de symbolisme, dont l'influence de?passa largement les frontie?res de l'Empire. Ainsi, l'Italie, l'Afrique du Nord et le Proche-Orient conservent-ils les vestiges de cet art raffine?, mystique et lumineux.La magnificence des palais, des e?glises, des peinture 410 0$aArt of century collection. 606 $aArt, Byzantine 615 0$aArt, Byzantine. 676 $a709.0214 700 $aBayet$b Charles$0205358 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779053703321 996 $aArt byzantin$9538191 997 $aUNINA LEADER 03225nam 2200601 450 001 9910826521203321 005 20200903223051.0 010 $a90-04-27897-4 024 7 $a10.1163/9789004278974 035 $a(CKB)2670000000566967 035 $a(EBL)1901805 035 $a(SSID)ssj0001343692 035 $a(PQKBManifestationID)11764501 035 $a(PQKBTitleCode)TC0001343692 035 $a(PQKBWorkID)11311868 035 $a(PQKB)11298966 035 $a(MiAaPQ)EBC1901805 035 $a(nllekb)BRILL9789004278974 035 $a(Au-PeEL)EBL1901805 035 $a(CaPaEBR)ebr11000765 035 $a(CaONFJC)MIL682779 035 $a(OCoLC)898769106 035 $a(PPN)184922410 035 $a(EXLCZ)992670000000566967 100 $a20150117h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJohn Duns Scotus on parts, wholes, and hylomorphism /$fThomas M. Ward 210 1$aLeiden, Netherlands :$cBrill,$d2014. 210 4$dİ2014 215 $a1 online resource (210 p.) 225 1 $aInvestigating Medieval Philosophy,$x1879-9787 ;$vVolume 7 300 $aDescription based upon print version of record. 311 $a90-04-27831-1 311 $a1-322-51497-6 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Introduction -- The Purpose of Prime Matter -- The Ontology of Prime Matter -- How Matter and Form Compose a Substance?Part I -- How Matter and Form Compose a Substance?Part II -- Scotistic Pluralism about Substantial Form?Part I -- Scotistic Pluralism about Substantial Form?Part II -- Contingent Supposits and Contingent Substances -- The Mereological Status of the Elements in a Mixture -- Why the World is not a Substance -- Scotistic Hylomorphism and the Problem of Homonymy -- Bibliography -- General Index. 330 $aIn John Duns Scotus on Parts, Wholes, and Hylomorphism , Thomas M. Ward examines Scotus's arguments for his distinctive version of hylomorphism, the view that at least some material objects are composites of matter and form. It considers Scotus's reasons for adopting hylomorphism, and his accounts of how matter and form compose a substance, how extended parts, such as the organs of an organism, compose a substance, and how other sorts of things, such as the four chemical elements (earth, air, fire, and water) and all the things in the world, fail to compose a substance. It highlights the extent to which Scotus draws on his metaphysics of essential order to explain why some things can compose substance and why others cannot. Throughout the book, contemporary versions of hylomorphism are discussed in ways that both illumine Scotus's own views and suggest ways to advance contemporary debates. 410 0$aInvestigating medieval philosophy ;$vVolume 7. 606 $aHylomorphism 615 0$aHylomorphism. 676 $a111/.1092 700 $aWard$b Thomas M.$01710925 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826521203321 996 $aJohn Duns Scotus on parts, wholes, and hylomorphism$94101882 997 $aUNINA