LEADER 04221nam 22008055 450 001 9910826466703321 005 20230129050821.0 010 $a1-4426-6981-0 010 $a1-4426-6980-2 024 7 $a10.3138/9781442669802 035 $a(CKB)3710000000371865 035 $a(EBL)3297400 035 $a(SSID)ssj0001456196 035 $a(PQKBManifestationID)12540646 035 $a(PQKBTitleCode)TC0001456196 035 $a(PQKBWorkID)11409716 035 $a(PQKB)11522312 035 $a(CEL)449660 035 $a(OCoLC)913977510 035 $a(CaBNVSL)thg00930610 035 $a(MiAaPQ)EBC3297400 035 $a(DE-B1597)498538 035 $a(DE-B1597)9781442669802 035 $a(MiAaPQ)EBC4671110 035 $a(OCoLC)904548279 035 $a(MdBmJHUP)musev2_106551 035 $a(EXLCZ)993710000000371865 100 $a20181023d2018 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFashioning Spaces $eMode and Modernity in Late-Nineteenth-Century Paris /$fHeidi Brevik-Zender 210 1$aToronto : $cUniversity of Toronto Press, $d[2018] 210 4$dİ2015 215 $a1 online resource (376 p.) 311 $a1-4426-4803-1 320 $aIncludes bibliographical references (pages 345-358) and index. 327 $aIntroduction -- Part One: The Staircase -- Fashioning the Commune Barricade: Zola's Au Bonheur des Dames -- Ups and Downs, Surface and Spectacle: Rachilde, Maupassant, and Daudet -- Part Two: The Antechamber -- Waiting for Change: Zola's Au Bonheur des Dames and Nana -- Maupassant, Transformation, and the Unexotic Exotic -- Part Three: The Fashion Atelier -- Places and Spaces of Haute Couture: Feydeau's Tailleur pour dames and Zola's La Curee -- A Woman's Work(space): Dressmaking Ateliers in Huysmans's En Menage and Rachilde's Late-Century Novels -- Epilogue. 330 8 $aAnnotation$bIn Fashioning Spaces, Heidi Brevik-Zender argues that in the years between 1870 and 1900 the chroniclers of Parisian modernity depicted the urban landscape not just in public settings such as boulevards and parks but also in "dislocations," spaces where the public and the intimate overlapped in provocative and subversive ways. Stairwells, theatre foyers, dressmakers' studios, and dressing rooms were in-between places that have long been overlooked but were actually marked as indisputably modern through their connections with high fashion. Fashioning Spaces engages with and thinks beyond the work of critics Charles Baudelaire and Walter Benjamin to arrive at new readings of the French capital. Examining literature by Zola, Maupassant, Rachilde, and others, as well as paintings, architecture, and the fashionable garments worn by both men and women, Brevik-Zender crafts a compelling and innovative account of how fashion was appropriated as a way of writing about the complexities of modernity in fin-de-siecle Paris. 606 $aFrench literature$y19th century$xHistory and criticism 606 $aModernism (Literature)$zFrance 606 $aFashion in literature 606 $aPublic spaces in literature 606 $aFashion$xHistory$y19th century 606 $aClothing and dress in literature 606 $aInterior decoration$xHistory$y19th century 606 $aInterior architecture$xHistory$y19th century 606 $aClothing and dress$xSocial aspects 607 $aParis (France)$xSocial life and customs$y19th century 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aFrench literature$xHistory and criticism. 615 0$aModernism (Literature) 615 0$aFashion in literature. 615 0$aPublic spaces in literature. 615 0$aFashion$xHistory 615 0$aClothing and dress in literature. 615 0$aInterior decoration$xHistory 615 0$aInterior architecture$xHistory 615 0$aClothing and dress$xSocial aspects. 676 $a840.9/357 700 $aBrevik-Zender$b Heidi, $01646294 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910826466703321 996 $aFashioning Spaces$93993213 997 $aUNINA